> Whilst visiting the one of the most charming cities in Italia, Cremona, where
> Stradivari worked.   I visited the museum that houses tools, and moulds etc.
> from his workshop, I was hoping some energy from the master would be absorbed
> into my DNA, my hopes were fulfilled.
> 
> I noticed a lute template of the belly ( 11 course French lute) made from
> thick paper, folded down the middle to from the centre line,  indicating to
> me, that lutes were originally conceived to be symmetrically prefect, and do
> in fact have a clear centre line, contrary to what Lundberg says.
> Has anyone had access to investigate these moulds of Stradivari ?  There were
> also very clear string spacing templates for the bridge and nut, as well as
> pegbox and fingerboard templates. As well as 2 different guitar shapes, and
> many different peghead templates.
> Michael Thames
Stewart Pollens, the Musical Instruments Conservator at the Metropolitan
Museum has written a large article on the subject, which by now should be
submitted to LSA Editors in the expanded version of the previously published
one. 
Nice try, Thames, but this is not a job for mickey-mouse-luthiers.
RT
______________
Roman M. Turovsky
http://polyhymnion.org/swv




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