There are a few frets that would take a while to wear down because the 
are used so seldom (such as the 5th course 1st and 6th frets) that it 
might be better to take a gentle file to the nutside.

Sean

On Jun 21, 2005, at 4:39 PM, Peter Weiler wrote:

> JAS wrote: "  But this means all those elaborate formulas for tying a
> double fret with a
> single strand of gut are not applicable. "
>
> Not really; as Sean (I think) pointed out, the up-neck fret tends to be
> the one that takes the brunt of the wear. After a week or three of use
> they seem to settle in with this morphology (slightly higher on the
> bridge side). The effect is very small, but I think it's not imaginary.
> I do have a lot of trouble getting double fret knots tight for anything
> greater than, say, 0.80 mm fretgut though.
>
> -Peter
>
>   ----- Original Message -----
>   From: "James A Stimson"
>   To: "Peter Weiler"
>   Subject: Re: Built-in action? Double frets
>   Date: Tue, 21 Jun 2005 19:29:25 -0400
>
>>
>>
>>
>>
>>
>> Dear Peter and All:
>> Now this is interesting. I assume you put the slightly smaller fret
>   on the
>> nut side of the "main" fret.
>> It makes me think of the frets on my Forrester citterns, which are
>   brass
>> and include a tiny wooden "ramp" on the nut side, which presumably
>   keeps
>> one from bending the note sharp when fretting a course.
>> But this means all those elaborate formulas for tying a double fret
>   with a
>> single strand of gut are not applicable. It also means that if you
>   break a
>> fret in the middle of a performance all is not lost.
>> Cheers,
>> Jim
>>
>>
>>
>>
>> "Peter Weiler"
>>> om> cc:
>> Subject: Re:
>> Built-in action? Double frets
>> 06/21/2005 06:14
>> PM
>>
>>
>>
>>
>>
>>
>> Ha ha! My diabolical plan to inflate the third-quarter share price
>   of
>> fretgut manufactories is proceeding apace! Dear Martyn, Sean, and
>   Peter,
>> and all,
>> Last night I added another fret to each of the frets on my 6 course
>> lute, in the manner that Sean had suggested, with smaller diameter
>   gut
>> behind it, as I was unsure as to how much the fret wear, would
>   affect me
>> getting the right mix with the existing frets.
>> Well, the result was phenomenal, not only in the playability, but
>   sound
>> as
>> well. I guess these old guys new something after all.
>> Besides the feeling of solidity, and sure footedness, the lute
>> immediately had more sustain, not in a bad way, but just enough to
>   even
>> out
>> the balance everywhere. It also eliminated, what I consider, a not
>> musical
>> transient attack sound, and gave it a crystalline round fundamental
>> attack.
>> I think in the way, that Peter was describing, the guitar like
>   effect,
>> this
>> is important for the lute, as really, the only thing that projects,
>   is
>> the
>> attack of the string.
>>
>> If one really thinks about it, half the sound goes into the bridge,
>   and
>> half
>> goes into the neck, via the frets. So to not consider the effect
>   the
>> frets
>> contribute would be silly.
>>
>> This was so amazing that I then did it to my baroque lute, with the
>> same astonishing results.
>> I did get a little sizzle on the second course second fret, but I
>> realize this is probably the most fretted note on the Baroque lute,
>   and
>> the
>> fret wore there more than other places.
>> It makes me think that when the BIG BOYS have tried it, they didn't
>> have time, concerts etc. to let the sizzle fade away perhaps?
>> When I have tried to turn on, some of my stubborn guitar friends,
>   to the
>> Baroque lute, they to my horror, declare that the baroque lute
>   sounds
>> like a
>> banjo.
>> These double frets, transform this, thin high partial banjo like
>> sound, into a full bodied rounded sound, much easier on the ear of
>   the
>> non
>> initiated, and more in line with what guitarists consider a good
>   tone.
>> I have yet to try the single double looped system,,which I will,
>   but If
>> professionals who don't have the time perhaps Sean's method would
>   be
>> something one could try in a matter of an hour or so.
>> I will put double frets on all my lutes from now on.
>>
>> Thanks again, for the dialogue, and expertise, and your patience
>   with my
>> journey
>>
>> --
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