Michael Thames <[EMAIL PROTECTED]> said:

>   Posner,
>   In the context of what Ness is saying, and all his previous emails 
trying to establish pitch notation as superior to tablature, for 
lutenists

?!?

I havent read that in Arthurs posts.

Tablature and staff notations record the music using different 
abstractions, each has its advantages, each its disadvantages; to y mind 
there is no objective criteria to decide which is superior to the other 
in any general sense; one can however make a reasoned choice in 
particular situations.  

A player should be conversant with both, however, tablature is proven 
far easier to teach to the musically naive, and even for the musically 
literate it can be easier to learn to read for a plucked instrument from 
tablature than staff.  One is then only challenged to have a supply of 
music in tablature to work with.

The facts suporting all sides of this issue are well known to all of us, 
perhaps remaining rehash of them could be left as [silent] excercise?



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