The discussion was about Beethoven influences on 19th century guitar music, in 
a thread started by Eugene Braig.  It had nothing to do with Matanya, but he 
came charging in any way.  I remembered the example of a typical Beethoven 
chord progression that I saw in that Irish fantasia on his web site several 
years ago.  But because I didn't want to to be distracted by the wrong notes in 
his edition, I referred to the original manuscript in Copenhagen which can be 
downloaded  

The spelling "Leonardo Schultz" is used in an article in Guitar Review, and 
presumably elsewhere, since the guitarist is mentioned in passing.  Brian 
Jeffery also uses that spelling. But the spelling of his name wasn't the topic 
of discussion.

Which spelling should be used? If  I were editing a book, I'd use the spelling 
given in the Library of Congress Name Authority files, which are used by 
library cataloguers to provide uniformity in all U.S. libraries. If he is not 
in the Name Authority files, I'd see what spelling is used in New Grove, and so 
forth down the line. Maybe we could compromise and use "Leonardus Praetorius." 
My my. There's a Praetorius listed in Zuth's handbook on the lute and guitar. A 
relative, perhaps?
  ----- Original Message ----- 
  From: Roman Turovsky 
  To: gary digman ; lutelist 
  Sent: Thursday, September 01, 2005 10:42 AM
  Subject: [LUTE] Re: Matanya Ophee and the lutelist

  <<snip>>
  I can't even remember
  > what the original dispute between Arthur and Matanya was about. I think it
  > had something to do with whether  a certain composer's name was Leonhart
  or
  > Leornardo. I think Matanya's vitriol reflects more on Matanya than Arthur,
  > and Arthur wisely chose to ignore most of it. 


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