Dear David and Thomas,

Yes, I'm going to try it at first the way Kapsberger suggests, although I may 
change things around later.  I already have some experience with this having 
played a 16 course theorbo for some time with the f and g sharps at the 
bottom.  No doubt this will be rather difficult at first, but I'm sure I'll 
get used to it quickly.  Klaus Jacobsen says that in the drawing the 
instrument looks rather like a harp - there are a lot of strings!  Also the 
spacing has to be quite close (which I actually quite like anyway) at exactly 
10mm.  Otherwise, there would be strings right off the end of the instrument.

But I am really looking forward to it.  It will be good to have these notes at 
one's disposal, and I'm also happy to experiment.  Of course, if I don't like 
it, I can always just take some of the extra diapasons off.  I may also 
consider having some sort of colour-coding for the strings to distinguish 
between the chromatics and the low f, my lowest "normal" diapason.

All let you know how I get on!

Best,

Benjamin 


In message <[EMAIL PROTECTED]> [EMAIL PROTECTED] 
writes:
> All the chromatics at the bottom is what Kapsberger suggested. I imagine 
this 
> pretty difficult to handle ...
> 
> Thomas
> 
> Am Sonntag, 13. November 2005 09:16 schrieben Sie:
> > > I'm going all the way with my new continuo theorbo:  I'm having the full
> > > 19-
> > > courses.  As far as I am aware, this is the maximum number of courses
> > > that
> >
> > Good luck! Are you planning chromatic setup or all the 'black keys' at the
> > bottom?
> >
> > David
> >
> >
> >
> >
> 
> -- 
> Thomas Schall
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