An organist friend of mine mentioned the above named piece in the context of 
early transcriptions, claiming that Willi Apel had made various statements 
about it that were later shown to be "incorrect" due to scordatura errors.
In HAM, the piece is #105b and Apel does say that it is "...one of the most 
remarkable specimens of 16th century music.  Shrill dissonances, otherwise 
unheard of before 20th century music...an extremely realistic picture (of what 
one might ask?), not lacking a touch of satire." 

1) I can't find the original tablature, and 2) I thought that most lute pieces 
used the "standard" tuning so is scordatura in play?  But, Appel does say in 
his "Dictionary" under scordatura that the piece uses a tuning of A-e-e-b-e'-g#.

Who of our resident experts, e.g., Stewart McCoy, might help me here?  Many 
thanks.
Sandy
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