Dear David,

I believe their year started some time in March, not January.
Decades normally involve ten years rather than five.

Just for the record, Sebastian Virdung mentions a 7-course lute in
1511, and I would date Osborn fb7 about 1630, which is a manuscript
of music for a 7-course lute.

The word diapason simply means octave, and is used by lutenists to
refer to the extra courses on a lute. I would take the 7th course to
be the first of these so-called diapasons. I don't think it matters
whether or not a course is strung alongside or above the fingerboard
for it to be described as a diapason. As I understand it, if it
isn't one of the first six courses, it is a diapason.

Best wishes,

Stewart McCoy.


----- Original Message -----
From: "David Rastall" <[EMAIL PROTECTED]>
To: "garry bryan" <[EMAIL PROTECTED]>
Cc: <[email protected]>
Sent: Tuesday, June 20, 2006 9:19 PM
Subject: [LUTE] Re: Wickhambrook Lute Manuscript - Age?


> On Jun 20, 2006, at 10:14 AM, garry bryan wrote:
>
> > I recently acquired a copy of "The Wickhambrook Lute Manuscript"
which
> > was edited by a Daphne R. Stephens and published by Yale
University in
> > 1963. In the editorial section , the following statement is
made:
> >
> > "From the notational standpoint, the absence of "diapasons" (
extra
> > strings along the side of the fingerboard ), and an added
seventh
> > course,both of which became popular after 1595, confines the
> > manuscript
> > to the last decade of the 16th century."
> >
> >
> > Now, in "Historical Lute Construction" ( Lundberg - published
> > 2002 ), I
> > read the following:
> >
> > ... Most 7-course lutes were probably built with points, at
first
> > rather
> > narrow and then by the 1580s becoming wider."
> >
> > Maybe I'm misreading something, but it appears that the editor
of "The
> > Wickhambrook Lute Manuscript" and Robert Lundberg differ by a
> > couple of
> > decades regarding the 7th course.
>
> > Any comments on this?
>
> Apparently 7-course lutes were in use in the 1580's, but only
became
> popular after 1595, that is to say, beginning on January 1st,
1596.
> On or before December 31st, 1595 they were being built, but they
were
> not popular.  That's not to say that they were particularly UN-
> popular, at least not from the notational standpoint anyway, the
7th
> course, being clearly not a diapason as it does not lie alongside
the
> fingerboard.  But they only came into popular use after 1595, that
is
> to say:  that five-year period referred to as "the last decade of
the
> 16th century."  Clearly then, one can deduce from this evidence
that
> the Wickhambrook MS could not possibly have been compiled after
1600.
>
> DR
> [EMAIL PROTECTED]
> www.rastallmusic.com
>
>
>
>
>
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>




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