I thought I sent these ramblings last night, but they didn't seem to  
make it on to the lutenet.

For some reason my first reaction upon hearing the Sting excerpts was  
to laugh out loud, so it certainly can't be all bad. :-). I just  
couldn't help imagining what an exasperated teacher would say to him.  
Maybe someday someone will start an early music version of that "most  
annoying music show" on NPR and he'll nab that elusive HIP top 10.

There have been several other efforts over the years by popular  
artists crossing over. I like some of Blackmore's Night's stuff. I  
think the singer is limited and most of the time she does a good job  
of staying within her limitations and Richie does some fine guitar  
work. The hardest thing listening to them is to drop my own  
prejudices when they do a Renaissance song I know in an arrangement  
very foreign to what an early music artist would do. Then again,  
there are lutenists whose extreme timing discrepancies have no  
musical meaning for me and I just can't listen to them. I heard that  
Michael Bolton made an album of classics after his collaboration with  
Domingo. I bet that is good for a laugh too.

I think we have to try (it may not be possible) to listen to these  
experiments with an open ear, perhaps in the spirit of traditional  
folk music. Some of the songs contemporary folk groups do are very  
old and they simply do them in their own style. It is all grist for  
the mill. I think (gosh I sure hope) that was what Sting was going  
for. For him, it must have been a really cool project. Why should he  
feel any responsibility to our EM crowd? We are not his target audience.

If Sting did a job closer to what an early music singer would do,  
wouldn't it surely be much more horrifying? At least he sounds like  
Sting. Whatever lessons at Basel he had didn't change his style very  
much. Hopefully, he'll sell a billion and we'll all ride his coat  
tales. I'm already preparing a sign for my next gig: "As sung by  
Sting" ha, ha.

cheers,


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