No, not Lynda Sayce. I am not trying to be coy, or to play guessing games. I just feel uncomfortable attributing opinions expressed by others, especially when acquired in casual conversation, when they are unaware that I am speaking thus about them.
Gordon J Callon School of Music Acadia University Wolfville Nova Scotia Canada B4P 2R6 -----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tue 9/26/2006 6:40 PM To: [email protected] Subject: [LUTE] Re: A few thoughts... In einer eMail vom 26.09.2006 23:23:36 Westeurop=E4ische Normalzeit schreibt [EMAIL PROTECTED]: > The lutenist certainly knows what she is doing (we were recording for a > very reputable company with some top-rank singers and pluckers) and the > theorbo > was, naturally, expensive, so I doubt she or the builder is mistaken. Hence, > I would vote for double-strung English theorbos. > I expect this was Lynda Sayce, she seems to be right at the front of continuo instrument research,great work, nice to see something tout of the norm in the modern scene which was probably more th norm back then. Mark -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html --
