--- gary digman <[EMAIL PROTECTED]> wrote:
> I resolved
> never to attend another
> lute concert sponsored by Sfems because the lute
> simply could not be heard
> from more the 6 or 7 rows back where all the lute
> players (who cannot afford
> season tickets) were forced to sit. I refuse to pay
> $40 for a ticket to
> watch someone play a lute I cannot also hear.

The volume of the instrument is not the issue.  The
approach of the player is.

I too have sat in the audience at lute concerts not
being able to hear.  The last lute concert I went to
was by a very big name lutenist.  I had a number of my
guitar students at this concert and they all told me
the same thing "That was OK, but the lute sure is
really soft."

I knew the pieces this performer played.  During the
show I kept thinking, "Now when is he going to start
PLAYING the darn thing???"  I sat there, straining to
hear nuances that I happened to KNOW were there, but
were impossible to pick up in a venue of that size
(big but not overly-large hall).  There was no way any
of my students or the general public in attendence
would have been able to discern these points.  


I can certainly appreciate refinement of tone and
delicacy of touch.  The lute responds well to this -
in a small room.  But there are places (i.e. a large
room) in which being SO incredibly sensitive is
downright inappropriate.  When I got my degree in
guitar, the word drummed into us was always
"projection."  Over and over - "know your hall."  In a
small place use all the dynamics and tone colors your
can.  In a big one, you may have to forego this in
deference to other types of musical expression.  

Although there are indeed some lutenists who
understand this I have seen very, very few of them in
person.  The lute can indeed respond to being pushed
without sacrificing tone quality!

Chris


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