Americans might be interested in seeing the Sting/Karamazov segment on 
NBC's "Studio 60 on the Sunset Strip" (whatever that is) Monday night.

Ron Fletcher wrote:

> It is out there making big bucks!  We cannot change anything.  Except 
> maybe
> the minds of a few other people that discover this list out of mere
> curiosity about the lute.

I suppose there will be a few ears turned on to the glories of the 
renaissance by Sting's effort.  But for all but a tiny minority of the 
Sting fans who buy his CD, Sting's Dowland will BE Dowland, now and 
forever and ever, amen.  If they like it, they will go no further, and 
if they don't, it will be because the music's no good.  So if Sting 
stirs a renaissance renaissance I'll be thrilled, but if it happens 
surprise will not be adequate, and I'll have to resort to astonishment.

My own impression, from what I heard, is that it was pretty much a 
student effort, and I'm not at all surprised if, as has been reported 
here, later performances are better than the CD; maybe he's getting 
more comfortable with it.

A few posters have complained about the miking on the CD.  The October 
8 Los Angeles Times, which I just got around to reading today, had an 
interview feature with Sting, who said he wanted it to "sound modern.  
Most ancient music is recorded at a distance," he says. You're in a 
chapel or somewhere, and you hear it at a distance, almost 400  years 
away.  We recorded this very close, so you're inside the lute, my voice 
is inside your head [Does anyone else find this concept a bit gross, to 
say nothing of painful and claustrophobic? Never mind...]  There's an 
intimacy and a sensuality about that that I thought we could offer that 
hasn't been done before in this music."

Either Sting has become an expert on the thousands of early music 
recordings available, or he has a penchant for unsupported sweeping 
statements that would would make Roman envious.

I'm sure it's just a coincidence, but the a few pages away in the same 
LA Times issue is a feature headlined "Polishing the Art of Singing 
Badly," concerning a play about Florence Foster Jenkins (1868-1944), 
the wealthy widow who Wikipedia aptly describes as "an American soprano 
who became famous for her complete lack of singing ability."  Wikipedia 
has a link to her famous recording of the Queen of the Night's 
second-act Aria, which, alas, my browser downloaded as a text file, 
perhaps exercizing its own artistic standards.  I was also intrigued by 
Wikipedia's  listing, among "further references," a link to "William 
Shatner's musical career."  But perhaps this is getting just a bit off 
topic.

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