Andreas: Teutsch Lautenbuch 1574:
Measures where the 7th diapason is required: Piece nr. 4 "Creator" final chord loose diapason Piece nr. 11 "Si bona" m. 6 first and last chord loose diap. m. 7 first chord loose d. m. 11 third chord loose d. m. 69 last chord loose d. Piece nr. 12 "Aspice" m.76 first chord loose d. Piece nr. 13 "Hierusalem" m. 26 first and last chord loose d. m. 51 second chord loose d. m. 53 first chord loose d. m. 55 first and last chord loose d. Piece nr. 14 "Deduc" m. 32 first chord loose d. m. 49 first chord loose d. m. 51 second chord loose d. m. 53 second chord loose d. m. 64 first chord loose d. m. 68 first and second chord loose d. m. 138 second chord loose d. m. 152 first and last chord loose d. m. 153 first and second chord loose d. final chord loose diapason. Piece nr. 15 "Maria" m. 19 last chord loose d. m. 50 third chord loose d. final chord loose diapason. Piece nr. 16 "Cito" final chord loose diapason. Piece nr. 17 "Domine" m. 55 first chord 1st fret d. m. 65 third chord 1st fret d. Piece nr. 23 "Bon iuor" m. 2 first chord loose d. m. 7 first chord loose d. m. 12 first chord loose d. m. 19 first chord loose d. m. 20 last chord loose d. m. 22 last chord loose d. m. 23 second chord loose d. m. 28 third chord loose d. Piece nr. 29 "Quanto" m. 30 second chord 4th fret d. m. 31 second chord loose d. Piece nr. 31 "Was wirt" m. 11 first chord loose d. m. 21 second chord loose d. final chord loose diapason. Piece nr. 33 "Tröstlicher" m. 35 first chord loose d. Piece nr. 37 "Ein lieblicher" m. 28 third chord loose d. Piece nr. 49 "Passa e'mezzo" m. 29 last chord loose d. m. 30 third chord loose d. m. 31 third chord loose d. m. 45 penultimate note loose d. m. 46 fifth note loose d. m. 77 penultimate note loose d. m. 90 third chord loose d. m. 93 fourth chord loose d. m. 109 last chord loose d. m. 141 last chord loose d. m. 144 first chord loose d. m. 148 first chord loose d. m. 152 first chord loose d. m. 156 first chord loose d. ----- Original Message ----- From: "Andreas Schlegel" <[EMAIL PROTECTED]> To: "lute list" <[email protected]> Sent: Wednesday, October 18, 2006 8:33 PM Subject: [LUTE] more than 6 courses >I asked for prints because it's more significant for a wider use of a > new type of instrument. We always have more or less single proofs for > outstanding solutions in the lute world (f.ex. the 14-c. Baroque lute > with swan neck of J.Chr.Hoffmann in Leipzig - and the Bach g-minor- > suite... perhaps...) but I need to know the "normal" case. > > So it's correct like this? > 1565 Krakow, Bakfark: Fantasia VI (22) (only end), VII (23), > Circumdederunt me 2da pars (26), Domine, si tu es Prima pars & 2da > pars (28) (also twice stopped on the 2nd fret!): 7th course always > tuned a second below the 6th course > 1569 Antwerpen, Bakfark: 22, 23, 26, 28 > 1571-6 Lovanii, Theatrum musicum 26 (fol. 81v-82v) > Has somebody the Theatrum from 1571 to see there if the 7th course is > really used in Circumdederunt me 2da pars? > > 1574 Melchior Newsidler: probably a second below the 6th course (Who > has a copy? The facsimile is out of print! I don't know exactly if > the 7th course is tuned in F or D or something between. Who can have > a look?) > > 1582 Strassburg, Barbetta: tuned a fourth below the 6th course > (typesetting until number 23 with 7 lines, if the 7th course is used! > After n.23 only 6 lines.) > > 1598 Leipzig, Reyermann 8 course (7th a fourth below, 8th a fifth > below the 6th course) > > 1599 Venezia, Terzi and Molinario 8 course (8th a fourth below the > 6th course > > 1600 Paris, Francisque 9 course > > 1611 Rom, Kapsberger 10 course > > > Thanks for all your contributions! > > Andreas > > > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >
