..And the state of knowing how to play isn't necessarily a simple yes or no. It's a continuum, and any musician worth anything continues learning as his/her career progresses. So, should we only buy the one most technically perfect lute performance currently committed to CD as the only one that represents a real state of knowing how to play...or sell off all the CDs of any given lutenist when he/she generates a later one after learning to play the instrument better...or not buy any lute CDs at all knowing that there will always be a release pending in which a player knows how to play the instrument in a more technically perfect fashion than on current releases? These things are much more a matter of personal taste. Buy it or don't.
Eugene ----- Original Message ----- From: Roman Turovsky <[EMAIL PROTECTED]> Date: Friday, November 24, 2006 9:29 am Subject: [LUTE] Re: Sting! > Not everybody knew how to play before venturing forth with a CD. > Should we > start naming names? > RT > ps. > Pat's background is in jazz. > > ----- Original Message ----- > From: "Bruno Fournier" <[EMAIL PROTECTED]> > To: "Bernd Haegemann" <[EMAIL PROTECTED]> > Cc: "Lutelist" <[email protected]>; "Roman Turovsky" > <[EMAIL PROTECTED]> > Sent: Friday, November 24, 2006 9:16 AM > Subject: [LUTE] Re: Sting! > > > > and Pat O'Brien I think, > > > > but all of these people waited till they knew how to play the > > instrument before they put out CD's To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
