At 04:40 PM 5/7/2007, Caroline Usher wrote:
>Dear mostly loyal subjects,
>WE, Caroline I, Empress of the Known Lute World, Queen of North American
>Lutopia, Duchess of Elaborate Divisions and Defender of the Authentick
>Faith, are planning to go on progress to the vicinity of Boston (USA)
>for the Early Music Festival, June 12 - 16.  As is normally the case,
>we  plan to  allow our Bostonian subjects the privilege of offering Us
>their hospitality on this occasion. . . .  Have no fear, We shall not be
>traveling with Our full retinue (the dogs are staying home) and it is
>not necessary to provide banquets or feather beds (I'm allergic to
>feathers anyway).
>
>Now, don't all stampede to be the first to offer.
>Looking forward to Gracing you all with Our Presence,
>We Are,
>By the Grace of God (and a lot of hard work, dammit),
>Caroline I, Empress of the Known Lute World, Queen of North American
>Lutopia, Duchess of Elaborate Divisions and Defender of the Authentick Faith


Sadly, I will not be anywhere near there and cannot provide lodging for 
royalty or pauper.  However, here's a bit that might have slipped by your 
collective (both in your singular plurality and the list-wide plurality) 
early-music, somewhat-lute-like-thingy radar.  Richard Walz, violinist with 
Bruggen's Orchestra of the 18th Century and free-lance mandolinist 
extraordinaire, has posted this word elsewhere:

 > In case anyone is interested, I'll be playing and recording live in 
Boston the
 > sonatas for mandolin and fortepiano by Hummel, Beethoven and Neuiling
 > on the 16th of June, 2pm, part of the Boston Early Music Festival. I'll be
 > playing on the Vinaccia copy by D. Larson with Shuann Chai.

The where is Emmanuel Church.  I don't believe the event is listed in the 
on-line event calendar.  The "Vinaccia copy" in play is based on the 1760s 
mandolino Napoletano tradition.  I wish I could be there.  For those who 
will, enjoy.

Eugene 



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