If memory serves me correct, Clive Titmuss has been making some of his recordings using a mono-mic and remixing it to stereo. I'm afraid I'm not familiar with all the gory details.
---------------------------------------------------------------------------- Malcolm P. Toms. | "Beyond ideas of wrong-doing and right-doing, Manager, Network Operations | there's a field. I'll meet you there." Dean of Arts Office, SFU. | E-Mail : [EMAIL PROTECTED] | ( Jalal al-Din Rumi, 13thC ) Phone : (604) 291-3848 | ---------------------------------------------------------------------------- Sbk wrote: > One thing to try is playing wearing headphones fed through reverb so you > hear yourself closer to how it is going to end up. There can be serious > issues with latency (the signal is delayed going through the circuitry and > comes back noticeably later) but that depends upon the system used. > > I quite appreciate the whole question of using artificicial means to sweeten > the sound, and whether than comes at a commercial requirement. I find > listening to a whole 'dry' recording impossibly tiring. Brought up on the > dramatic ambience of Bream in Wardour chapel its not surprising that comes > close to my ideal. Not many of us have the opportunity to record in venues > such as that. > > Stephen K > > >> But my playing is not in that room, so I play differently. Said >> > differently: it's easier for the ear with the reverb, but not more musical. > > **************************** > David van Ooijen > [EMAIL PROTECTED] > www.davidvanooijen.nl > **************************** > > > __________________________________________ > This email was sent online via > taliauk.com > > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >
