Actually, my experience with Nigel North's recent recording of Dowland makes
me think the opposite: that O'Dette eschews the "oh-so-lovely" Renaissance
sound in favor of an absolute clarity of line and rhythm. To me, this made
his Dowland sound very mechanical. North, on the other hand, is a
revelation: while maintaining absolute rhythmic fidelity, he really makes it
sing.

On 8/12/07, David Rastall <[EMAIL PROTECTED]> wrote:
>
> Dear Luters,
>
> Just for the record, I thought I should clarify some remarks I've
> made on the list recently as they appear to have been misconstrued.
>
> I said, light-heartedly or so I thought,  that some lutenists play
> Baroque music with the same "oh-so-lovely" sound that they get when
> playing renaissance music.  Some of you seem to have taken that to be
> a criticism of Paul O'Dette's Bach CD.  I was not even thinking about
> O'Dette when I wrote that e-mail!  If you read the message in
> question, you will see that I made no reference to O'Dette, or
> anybody else by name.  I was gently poking fun, in a general sense,
> at the way we sometimes tend to romanticize Baroque music, IMO to the
> point of compromising the clarity of line and rhythm.  The fact is:
> I happen to think O'Dette's sound is perfectly idiomatic to Baroque
> music.  I've been waiting for years for him to record on the Baroque
> lute, and I think his Bach CD is wonderful.
>
> Another remark which seems to have generated some feedback is my
> reference to the "modern lute."  I said something to the effect that
> the lute is at its best when we approach it "with as few concessions
> to modernity as possible."  That's simply my opinion:  please
> understand that I was not criticizing anybody personally, nor
> referring to anybody's lute specifically!  Write me off if you want
> as an irrelevant and irreverent "old guy."  That's fine with me:
> that's what I am.  But I happen to believe that the term "modern
> lute" has the flavor about it of an oxymoron, and I was simply
> expressing that opinon.  Once again:  no personal attacks  were
> intended.
>
> The same goes for my remarks about right-hand playing technique:  why
> on earth should I feel personal animosity towards someone because of
> the way his right hand looks!?  I don't care what people's right
> hands look like:  just that they don't look like the right hands in
> the old paintings, and I find that curious.  Also I find it curious
> that no-one else seems to find it curious.  That's all:  no personal
> attacks intended here.
>
> I'm sorry if my remarks have offended anyone.  They were not intended
> to!
>
> David Rastall
> [EMAIL PROTECTED]
>
>
>
>
> --
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>

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