I wrote:

> Tyler will tell
> you that there was no soprano "liuto" in Italy,

meaning in the 18th century

> and when Vivaldi
> wanted mandolino he wrote "mandolino."  And I believe Vivaldi's
> "liuto" parts contain continuo parts in the tutti sections (Malipiero
> left these parts out of his landmark Vivaldi edition), written in
> bass clef, which would be silly for a mandolino.  There's no reason
> not to think that when Vivaldi wrote "liuto" he meant "archlute,"
> which is what Zamboni meant by "leuto" in 1750

I meant 1718, of course.

> and what Gianoncelli
> meant when he titled his 1650 archlute collection "Il Liuto."


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