In a Garden So Green on You tube
http://www.youtube.com/watch?v=QvQwTdkV2Hs

Sorry no high def :(


dt



At 11:30 PM 11/30/2007, you wrote:
>Piazzola sounds great on the theorbo
>
>dt
>
>
>
>
>At 08:28 AM 11/30/2007, you wrote:
> >Hi Howard,
> >
> >--- howard posner <[EMAIL PROTECTED]> wrote:
> >
> > >
> > > You accusin' me a' cheatin?
> >
> >Nah, ya ain't no cheater...  But I think you have
> >missed my point.
> >
> > > Narrow specialization doesn't mean lack of
> > > interest.
> >
> >No, but by its very nature, narrow specialization does
> >imply a homogeneity that makes it difficult to relate
> >to groups outside of people already in the know.
> >
> >
> > > It's
> > > precisely those programs that sell.  "Violin
> > > concertos by Venetian
> > > composers published in Amsterdam in 1725" seems
> > > arcane, but audiences
> > > will come to hear "The Four Seasons."   "Viennese
> > > chamber music
> > > written in 1806" sounds bland, but they'll come to
> > > hear Beethoven's
> > > opus 59 quartets.  "Italian operas written for
> > > Prague theaters in
> > > 1787" is a loser; "Don Giovanni" is a winner.
> > > Concerts of music by
> > > one well-known composer are safe programming bets.
> > >
> >
> >They are safe bets right now and I understand why they
> >are done.  Still, most ordinary symphony orchestras
> >(i.e. not baroque) don't do a specialized program for
> >the vast majority of their other concerts.  I think
> >narrow programming will give the field real trouble in
> >the future as those of us in EM become perceived more
> >and more as a one trick pony by the "outside world."
> >
> > >
> > > II can think offhand of all-Weiss CDs by Lutz
> > > Kirchhof, Konrad
> > > Junghanel, Yasunori Imamura, Toyohiko Satoh,
> > > Hopkinson Smith (2),
> > > Robert Barto (8?), Richard Stone, Jakob Lindberg,
> > > John Schneiderman,
> > > Michel Cardin and Franklin Lei, and I'm sure half
> > > the folks reading
> > > this post could double the listing.
> >
> >I could add to your list as well - but I was speaking
> >primarily of specialization in concert programing.
> >
> >To run with your point, however - aside from Robert
> >Barto, most of the performers you named _haven't_
> >specialized on one composer, one repertoire, one
> >instrument for all of their other recording projects.
> >(Even Barto has the stylistically quite different
> >Hagen recordings.)  So, while these guys do structure
> >their recordings around themes, they haven't done so
> >within the context of their careers.
> >
> >This was the past thinking in CD sales: pick a
> >composer or repertoire and make _that_ the selling
> >point rather than the skills or reputation of the
> >performer.  In EM, no record company would touch a
> >recording project that featured a little of this/a
> >little of that because it was too hard to shelve in
> >the bins of brick and mortar stores.  This is turning
> >out to be a REALLY BAD IDEA nowadays.  Its coming back
> >to bite us in the rear end as the music industry moves
> >from a hardcopy-oriented format to online sales.
> >Unfortunately, having a neatly-packaged, specialized
> >CD program ain't gonna help you one bit on iTunes!
> >How will we cope when CDs go the way of the LP?
> >
> > >
> > > > (A somewhat well-known viola da gamba
> > > > player I know claims Weiss is "weird and
> > > > incomprehensible."  What the...???)
> > >
> > > He's right.  Weiss on the gamba is weird and
> > > incomprehensible,
> > > particularly if the gambist plays directly from the
> > > tablature.
> > > --
> >
> >No, sadly, the person - a baroque music specialist and
> >international recording artist with a distinguished
> >pedigree from a prestigeous early music program - was
> >speaking of hearing Weiss performed under the capable
> >fingers of qualified lutenists.  Undoubtedly, this
> >amounts to personal taste, but if we aren't turning
> >this person on, who ARE we connecting with?
> >
> >Chris
> >
> >
> >
> > >
> > > To get on or off this list see list information at
> > >
> >http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> > >
> >
> >
> >
> >
> >___________________________________________________________________ 
> _________________
> >Never miss a thing.  Make Yahoo your home page.
> >http://www.yahoo.com/r/hs


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