----- Original Message ----- 
From: "Ron Andrico" <[EMAIL PROTECTED]>

(One issue with Francesco' 'La Compagna' is that the piece may
not really be his after all, coming from a much later source.)

ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo

Victor Coelho's theory was throughly knocked down at the
Francesco conference in Milan by Chris Wilson.  A third source
has surfaced for the "Compagna" ricercar, likewise attributed to
Francesco.  The Siena MS has works from throughout the 16th
century, including one of the first works by Francesco to appear
in print.  It was printed in 1529 in a corrupt version, and the
correct version appears 50 years later in a retrospective
anthology of Italian lute music, the Siena MS.  Nothing in
between.  The Siena lute book is perhaps the
single most important Italian source of the century. Its contents
range from music from the Petrucci era through the 1590s, in
readings that are eminently superior to almost every other
source.  It has lots of pieces from the early quarter century,
and surely we wouldn't attribute them all to composers from the
end of the century just because there is no earlier extant copy.

That a "lute virtuoso from the hills of Tuscany" was composing
works for lute and putting Francesco's name on them is utter
nonsense. Victor's theory about Leonardo da Vinci's beard is
ingeneous, but it just doesn't fly.  Plop! I have already
commented just a few days ago on how literally tons of lute
music have disappeared, and so lack of an early printed edition
is not sign that the work is not by Francesco. Manscripts and
prints which may have contained it are simply lost. Elsewhere I
commented on the Casteliono Book II that Mdme Thibault let me
use. La Compagna may very well be in a first Casteliono (Book I),
which has not survived in a currently accsessible public
collection. If there was a print with No. 34 from about 1547,
that is
probably where it was (is?).  Rumor has it that . . .

Victor himself has admitted he was mistaken in "unattributing"
"La Compagna" from Francesco's works.  Nice theory. Rest assured
lutenists can ignorre Leonard da Vinci's beard and all that, and
once
again safely attribute No. 34 to Francesco da Milano.
=====AJN (Boston, Mass.)=====
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