How can I desribe the situation succintly?
There aree Mss, but they are owned by a major dziura w dupie who wouldn't
let anyone see them, a bit like the Chilesotti debacle...
RT
----- Original Message -----
From: "Jerzy Zak" <[EMAIL PROTECTED]>
To: "Lutelist Net" <[email protected]>
Sent: Friday, October 24, 2008 3:20 PM
Subject: [LUTE] Re: Reusner and archlute/theorbo
Of course, Orlando Christoforetti in his preface to Dalla Casa _Sonate_
gives even more names. Presumably in this respect you could cite half of
the address books from all Italian cities and viliges. It is as usefull
for us as news from the moon, until you'll point out to the hard copy of
their music. More or less the same means Janovka (1701) from Prague when
he says that one could cover all the roofs in the city with the great
number of lutes there. He says nothing about archlute in his _Clavis ad
Thesaurum magne artis musicae_, as fare as I know.
J
_______
On 2008-10-24, at 20:23, Roman Turovsky wrote:
And in the 18th century-
Antonio Scotti, Melchiorre Chiesa, Antonio Tinazzoli, Giuseppe Vaccari
and Lodovico Fontanelli.
RT
----- Original Message ----- From: "Jean-Marie Poirier"
<[EMAIL PROTECTED]>
To: "lute" <[email protected]>
Sent: Friday, October 24, 2008 1:48 PM
Subject: [LUTE] Re: Reusner and archlute/theorbo
...you forget Piccinini, not the least of all and Melii da Reggio's
"liuto attiorbato" ;-) !
Jean-Marie
======= 24-10-2008 18:07:01 =======
If I remember well, beside of one Pignatelli MS (PL-Kj), the G.A.
Doni MS (IT-Perugia), an incredible P.F. Valentini theori and
continuo MS (Roma), the Gianoncelli print, Zamboni and dalla Casa
(some sort of decadent instrument called 'arcileuto francese'), there
is not much more for an archlute.
[EMAIL PROTECTED]
http://poirierjm.free.fr
24-10-2008
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