The "free market" at work.

Gary

----- Original Message ----- From: "David Tayler" <[EMAIL PROTECTED]>
To: "lute-cs.dartmouth.edu" <[email protected]>
Sent: Tuesday, November 25, 2008 12:43 PM
Subject: [LUTE] Re: was something, now vinyl


  snip
  well, that's not something intrinsic to USB; IMHO you should be
  decrying
  cheap home electronics junk rather than USB specifically, perhaps with
  a
  proviso that much which is USB is fadish junk.  Could be something out
  there which has a USB interface and is not junk.
  You are absolutely right, but there are some some lingering doubts
  remaining about USB for audio.
  Having said that, I'm listening right now on an EMU USB headphone
  amp/converter/recording interface that sounds awesome. It doesn't sound
  that different from a $3000 converter, it is small, easy to use, and
  has no power supply.
  And, miracle, it has an on-off switch, so when it is off it does not
  even pull 5 volts. But, it is sometimes a little buggy compared to my
  Firewire RME box. But hey, it rocks.
  [1]http://tinyurl.com/Usb-Emu
  Plug it in, and your computer sounds like a high end work station. Add
  a pair of Sennheiser HD580s with the 10 dollar cable from the HD600 and
  you can't be beat.
  Now if they only made a turntable.....
  There are basically two issues here, one of which is the USB interface
  and the other is the turntable.
  First, the USB interface is not ideal for audio. So even though it is
  possible to make a USB interface with reasonably good audio, and even
  though many of the problems with USB audio have been solved,
  manufacturers
  simply assume that the USB crowd wants ease of use over sound quality.
  And, similarly, the PCI Express interface, the MADI interfaces and so
  on are aimed at the high end crowd, or people who work professionally
  and want to avoid the mouse and the audio on the same bus.
  They want a dedicated bus for the audio. So as a general rule, and
  there are some (but few) exceptions, the USB interfaces for computer
  simply are not as good. The EMU ones are the best of the low end, but
  they have intermittent driver problems. An I have never seen anyone
  with an EMU USB interface. I use one as an external soundcard, for $99
  it can't be beat because it includes a terrific headphone amplifier.
  But I would not record anything on it.
  So, rightly or wrongly, the USB devices use cheaper parts in the analog
  section of the electronics, because, and, again, there are exceptions,
  they won't be used by professional recording engineers.
  So USB gets a bad rap, but the USB is not blameless because they set up
  several standards at the same time which were very confusing, resulting
  in cheaper hardware being advertised as "high speed" when, in fact, it
  was not
  When posting this article, I surveyed all of the available USB
  Turntables by reputable manufacturers. These turntables broke down into
  two categories. There were a large number in the $99-$150 range,
  then there were a small number in the $450 and up range. Only one of
  the high end models looked like something I would use, the Pro-ject
  model
  [2]http://tinyurl.com/projectTT .
  There are some other nice ones as well, you can spend a lot of money on
  a turntable.
  In the lower end, the ones I recommended not to buy, a waste of money,
  these turntables all use cheap parts. There were no USB turntables on
  the market that I would recommend. So this is not a limitation of the
  USB interface, it is a limitation of cheap, USB turntables.
  But the quality is connected to the niche that USB created--cheap,
  simple, hassle free connectivity--a concept which for most people is a
  good thing. But if you want it to sound good, which is important, I
  think, USB turntables are out. And the USB interface is not blameless
  here, its unsuitability for audio, coupled with a long history of
  driver problems--due, in part to different implementations of the USB
  interface, has contributed to USB primarily occupying a budget niche.
  The sad thing here, and, not to be cynical, this is just greed on the
  part of the manufacturers, is that the parts for the AD stage--the
  Analog to Digital conversion, are just so cheap now. The manufacturers
  are saying, I'm making ten million units, and if I use really cheap
  parts, I can shave two dollars of each unit. That's 20 million dollars.
  That is why they sound, in a word, cheesy. And that's a shame, but that
  is the way it works. Equally annoying are the companies that say, I'll
  spend twenty dollars more on parts, and sell it for four hundred
  dollars more.
  Once you get into the $500 range, one has to ask, is it better to spend
  the money on a USB turntable or get a really good computer interface,
  such as the RME, and hook it up to a dedicated turntable.
  And here, I think that for many people, they would prefer a device that
  functioned as a superb sound card for all of their audio listening,
  instead of just LPs, and additionally allowed people to record
  themselves, again, with superb audio. And use to make videos as well.
  But, If I had money to burn, I'd buy  a turntable with a dedicated
  interface. I love the convenience. And USB would be fine, though I
  would prefer firewire, MADI or PCIE.
  dt
  --

References

  1. http://tinyurl.com/Usb-Emu
  2. http://tinyurl.com/projectTT


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



--------------------------------------------------------------------------------



No virus found in this incoming message.
Checked by AVG - http://www.avg.com
Version: 8.0.175 / Virus Database: 270.9.10/1812 - Release Date: 11/25/2008 7:53 PM


Reply via email to