On Sat, Jan 31, 2009, [email protected] said:
Sorry all, what was incely setup in a table in MS word didnt paste cleanly
here, and I was under time pressure to finish and post.
Here it is cleaned up a tad.
> The basic scheme failed to anticipate downward additions to the compass of
> the instrument, a variety of schemes were implemented in different sources
> to notate the stops on additional bass courses. Wolf HdN tafel 1 [J.
> Wolf, Handbuch der Notationskunde II, Leipzig 1929] has made note of some
> 20 schemes in a variety of sources, many differing only by trivial
> details; I summarize them here:
S. Virdung 1511 /1 A F L Q X AA FF
A. Schlick 1512
Luscinius 1536 /1 A F L Q X /AA /FF
M Agricola 1529 /1 /A /f /l /q /x //A //F
H. Newsidler 1536 /1 /a /f /l /q /x //aa //ff
W. Heckel 1556 /1 /a /f /l /q /x /aa /ff /ll
B. Jobin 1572
H. Newsidler 1536 /1 A B C D E F G H J K
Sixt Kargel 1586 //1 /A /B /C /D /E /F /G /H /J /K
M. Newsidler 1574
H Gerle 1532 /1 /2 /3 /4 /5 /6 /7 /8 /9 /10
R. Wyssenbach 1550
S. Ochsenkun 1558
G. Krengel 1584
H. Judenkunig 1523 A B C D E F G
H. J. Wecker 1552
> M. Grasse 1584 /1 B C D E F G H J K L
//1 /B /C /D /E /F /G /H /J, /K, /L
///1 //B //C //D //E //F //G
--
Dana Emery
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