Sounds like somebody may be a touch spoiled or impatient here- some 
of us old timers remember the days when we had to go to public 
libraries and get our music by HAND COPYING IT on staff pages- 5 line 
staves to which we hand ruled a 6th line if we didn't want it to be 5 
line Attaignant style- from MICROFILM projections. That's how I got 
my Thomas Robinson, Dowland's LoST, Le Roy's English printing, 
Barley's book, Maynard's "XII Wonders of the World" and a few other 
things. I still have one of these books, that I sweated over for 
weeks- kind of like personal ms tabs from the real old days, before 
any of us were born.

For other music, I had to learn to read lute music transcribed into 
double-staff notation for a G tenor lute, not easy for a guitarist 
used to "E" on a treble staff. (VALUABLE training!) I had to go out 
and BUY this music as "hard copy" entities from "brick & mortar" 
music stores- or mail (not "e"mail) order my music. Some of us old 
farts occasionally still do this, in fact.

I got my 7 course stuff right along with the 6, 8, 9, or 10 course 
music and was perfectly grateful to have it all, and sort it out. 
Even when my only "lute" was a medium quality nylon string guitar.

Omer- I advise a little more patience, initiative; and better manners, please.

Dan

>  > I'm looking in some few books, but thank you for being an a***
>
>Omer, it is obvious that english is not your first language.
>DR's reply was remarkably polite, if a bit abrupt.
>
>Your counter was not only downright rude, but also inapropriate.
>
>To my knowledge three is no index of Lute sources which lists 7c pieces,
>much of the material published after 1500 is for either 6 or 7c
>instruments.  Note that anything for a 6c instrument is playable on a 7c.

-- 




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