OK, Sean- maybe it's time for you to get one of those 7-string 
Russian guitars that has a d-minor tuning. Maybe Roman can help you 
out. Seriously, sometimes when I'm playing my toy archlute I will 
grab the Weiss and rather than get up, change lutes, tune, etc. I 
will in fact just plow through- a little more slowly & carefully of 
course- compensating for the tuning differences. The biggest most 
frequent problem is the e/f major 2nd that occurs frequently in 
Weiss- 2nd fret, second 2nd string against open 1st string. I am 
learning to split finger the 2nd course on the archlute for that.

Just as much fun is playing viel ton music on the d-minor lute. THAT 
is good! It forces you to learn all the different unison note 
positions, all the notes up and down the fingerboard on all courses, 
and all the best, workable chord shapes & positions. For students 
coming to the d-minor tuned instruments from the other tuning systems 
this is one good way to re-orient the fingers, brain, and establish 
new muscle-memory patterns. Also of course reading from pitch 
notation. Everybody tied to tab systems should just do some of this 
anyway.

>Rather, I was thinking per Dan's suggestion of tuning to the 
>"Dminor" way. Of course I'd lack all those harplike bass notes and 
>only have the fingerboard to work with.
>Sean
>>>On Mar 8, 2009, at 3:35 AM, Edward Martin wrote:
>>>Yes, some d minor music does work on lutes in renaissance tunings.
>>>Dminor...  Does any of that music work on a 6c?
>>>
>>>Sean

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