Well, it didn't seem silly when I had no clue about historic pitch 
variation, and no knowledge of lute sizes- and all transcriptions 
were for a "G" instrument, with no disclaimer that such a pitch was 
strictly nominal convenience from another age. I was 17, it was 1964, 
and I desperately wanted a "lute" in the worst possible way. While 
the "determination" has grown rarer, we have actually had to educate 
a few guitarists right on this list over the past couple of years. 
One irony- at a workshop with my old "E" bass lute, I had to get it 
up to F# and G (A-440) for some singers. Instant capo at 2nd and 3rd 
fret with a pencil and some thick rubber bands! Talk about karmic 
retribution. Or the Gods of Early Music have a sense of humor.

>[Eugene C. Braig IV] I never was.  That's a rather silly and arbitrary
>"determination" and, I think, much rarer than it was a few decades ago.
>Eugene

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