For newcomers who look at the wikipedia article, Camilla de Rossi's
"Il Sacrifizio di Abramo" is not a "four-movement sinfonia" but an
oratorio with a four-movement sinfonia for strings and continuo
(between the first and second parts) that has a prominent lute
obbligato, which occasionally sounds like a lute concerto in the
outer movements.  It sounds not particularly difficult to play, so
those players who are chummy with two violinists, a violist a cellist
and another continuo player might want to give it a try.  Rossi is a
particularly tantalizing figure because almost nothing is known about
her.

A recording by Weser-Renaissance, directed by Manfred Cordes, with
Thomas Ihlenfeldt on archlute and a cast of several, came out on CPO
in 1996.  It's fairly available, and Amazon.com helpfully points out
that you can find references to it "Women and Music: A History" and
"The Norton/Grove Dictionary of Woman Composers."

The 1990 [San Francisco] Bay Area Women's Philharmonic with JoAnn
Falletta playing the lute-of-some-sort, mentioned by Eugene, doesn't
seem to be available, unless you want to check it out of the Chicago
Public Library.  The soprano on that recording, Judith Nelson, did
significant early music recording in London (with the likes of
Hogwood, Rooley, Emma Kirkby and David Thomas) and elsewhere, but the
BAWP is an all-purpose group that plays music from all periods.
Indeed, if you're interested in samples of music by wopersons who may
not be household names, check out its site at:

www.rebeccaclarke.org/wophil

On Sep 10, 2009, at 7:35 PM, EUGENE BRAIG IV wrote:

> There is de Rossi:
> http://en.wikipedia.org/wiki/Camilla_de_Rossi
>
> ...and a decent recording by JoAnn Falletta on "lute" (I'm not
> certain which incarnation of lute) of one of de Rossi's works for
> archlute and strings on:
> Bay Area Women's Philharmonic. 1990. Baroquen Treasures. Newport
> Classic, NCD 60102.
>
> I don't know how easy it would be to locate this recording any longer.


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