I think if there are primary, extant sources for this it would be 
interesting to make a list of them and post them on the internet.
They would still have to be reconciled with pieces which have both a 
continuo part and a solo cello part that plays a slightly varied 
version of the bass line.

But if there are sources, I would certainly like to see them. 
Certainly hundreds of lute songs were published with bowed bass parts.
dt


At 06:06 AM 10/21/2009, you wrote:


>    Yes: the practice for most of the 17th century was indeed generally to
>    eschew a bowed bass both in such secular works (including operas eg
>    Orfeo) and in sacred music. The bowed mass only became ubiquitous
>    towards the end of the 17th century.  As you say, an organ (chamber
>    type) and theorbo are generally quite sufficient.
>
>    In any event the more usual 17th century orchestral bowed bass
>    instrument was not the violoncello (tuned from C up)  but the Bass
>    violin tuned from Bb up.
>
>    MH
>
>
>
>    - On Wed, 21/10/09, [email protected] <[email protected]> wrote:
>
>      From: [email protected] <[email protected]>
>      Subject: [LUTE] Re: A Tale of Three Vespers
>      To: "lute-cs.dartmouth.edu" <[email protected]>, "David Tayler"
>      <[email protected]>
>      Date: Wednesday, 21 October, 2009, 13:16
>
>    David,
>        Thanks for this.  Very interesting.  You've certainly borrowed a
>    lot from that last guy.  But keep practicing: you'll eventually get the
>    hang of playing properly left-handed ;-).
>        I'm curious about the cello, though.  My understanding of the
>    present consensus of scholarly opinion on the performance practice of
>    this period was that the bass line in arias and recits was typically
>    not doubled by a bowed bass.  Perhaps I'm thinking only of secular
>    music.  Is the practice different in sacred music?
>        I must say, I hardly found it necessary.  The organ + theorbo combo
>    is quite adequate and you both did an excellent job.  The organ
>    provides the sustained harmony while the theorbo adds shaping as well
>    as rhythmic and declamatory events.  Its funny, I might have thought
>    that the cello would enhance a vocal-like shaping of the phrases in
>    order to compliment the singer, but for me it detracted somewhat from
>    the range of expression in the continuo group.
>        Just my two cents.  All three were very nice performances.
>    Chris
>    --- On Tue, 10/20/09, David Tayler <[1][email protected]> wrote:
>    > From: David Tayler <[2][email protected]>
>    > Subject: [LUTE] A Tale of Three Vespers
>    > To: "lute-cs.dartmouth.edu" <[3][email protected]>
>    > Date: Tuesday, October 20, 2009, 11:50 PM
>    > I found it really interesting to view
>    > three versions of the same
>    > Nigra Sum from the 1610 Vespers. I deliberately did not
>    > look at any
>    > before performing it, because it is too tempting to borrow
>    > the really
>    > good riffs.
>    > Even though Monteverdi left no particular instructions for
>    > the piece,
>    > it has become some of an urban legend in the Theorbo world,
>    > a little
>    > moment in the sun before the darkness of the thundering
>    > herds of
>    > Mordor descend.
>    > Oooops wrong piece.
>    > But in any case, what is kind of cool, really very cool, is
>    > that all
>    > three versions use different orchestrations, different
>    > ornaments,
>    > different techniques, different playing styles,
>    > arpeggiation,
>    > stringing, frets, tastini, and so on.
>    > All three theorbos are in a different tuning, so all of the
>    > chords
>    > look different. Not to mention two are playing right handed
>    > instead
>    > of the proper left handed (joke, joke)
>    > Even more remarkable is that harmonization of the largely
>    > unfigured
>    > bass is different as well. Different chords. Different
>    > suspensions.
>    > If I had to do it over again I would borrow mucho! (with
>    > permission, of course)
>    > Numbers 1 and 3 are in tastini meantone.
>    >
>    > Three Vespers
>    > [4]http://www.youtube.com/watch?v=94-NIURkU8I
>    > [5]http://www.youtube.com/watch?v=MRUEFcWJ7Js
>    > [6]http://www.youtube.com/watch?v=XUqdpFYTatI
>    >
>    >
>    >
>    > To get on or off this list see list information at
>    > [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>    >
>
>    --
>
>References
>
>    1. http://uk.mc263.mail.yahoo.com/mc/[email protected]
>    2. http://uk.mc263.mail.yahoo.com/mc/[email protected]
>    3. http://uk.mc263.mail.yahoo.com/mc/[email protected]
>    4. http://www.youtube.com/watch?v=94-NIURkU8I
>    5. http://www.youtube.com/watch?v=MRUEFcWJ7Js
>    6. http://www.youtube.com/watch?v=XUqdpFYTatI
>    7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


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