David and Leonard
        I have not yet gone ah= ead, so I could change my mind (I
   invariably do).
   I used to always ask f= or glass lenses, as I do on cameras; but it
   seems that many of these progre= ssive and degressive lenses are made
   only in some sort of "super"? pl= astic.
   I have been told that for the progessive ones there is a ten = day
   money back trial period. I tried my wife's pair which is corrected
   like= mine and the field of view seems rediculously small (a few words
   on the pa= ge at the intermediary level), so hopelessly inadequate for
   reading music (= or for much else I feel); and although the optician
   has suggested I try a w= ide angle variant (physio?) he is almost
   expecting me to bring them back. <= br>
   However, these are not intended for reading music. He has suggested =
   that intermediary "degressive" (deep-field) glasses could work well for
   mus= ic, from about 30cm to 70cm. Otherwise, as Leonard says I would
   need one cl= ose pair, one intermediary, and one distant pair. I was
   hoping to get away = with, either one degressive pair, and one
   progressive (or  distant).
   Do I understand that you always buy two (or three?) pairs, all in gla=
   ss, one for near, one for intermediary and the other for far? This is
   more = or less what I have been doing, but the intermediary ones were
   poor quality= chemist's loupes.
   Thanks for your advice
   Anthony
   ---- Message d'origine ----
   >De : "David Tayler" <[email protected]>
   >=C3=80 : "lute-cs.dartmouth.edu" <[email protected]>
   >Objet : [LUTE] Re: Test + Glasses for reading music
   >Date : 01/12/2009 11:23:24 CET
   >
   >It isn't the indexing that provides the quality, it is that in most >
   cases you can get better lenses by paying more combined with the fact=
   > the the "low end" noninedexed glasses have measurable defects--I
   have=
   > measured them myself with the curvature gizmo.
   > Also, lexan lenses have a higher degree of distortion away from the
   <= br> > centers, at least in the samples I have seen.
   > Just like with camera lenses, you can get get better quality--not a
   <= br> > big difference, but a difference. I never get the cheap
   plastic
   > lenses anymore. I used to buy glass, but there isn't much of a
   market=
   > for them, and the high end ones are good. Glass is heavy, but you
   > won't see a plastic lens on an SLR. However, since you work in a lab
   =
   > I defer to your judgment--I am just a picky consumer.
   > dt
   >
   >
   >
   > At 01:41 PM 11/30/2009, you wrote:
   > > I use single vision intermediate Rx specs for reading mu= sic, but
   > I
   > >need to experiment with a bifocal on the intermediate so I can se= e
   close
   > up
   > >while tuning, setting frets, etc. (This would be like wearing tr=
   ifocals
   > >without the distance portion of the lenses, just intermediate and=
   near.)
   > In
   > >lens power terms, I wear a +2.00 diopter addition for near; so m= y
   > >intermediate lenses are +1.00 D different than my distance specs.= I
   work
   > in
   > >an ophthalmic optical lab, but it's the old story of the cobbler =
   going
   > >bare-foot--never get around to my own glasses!
   > > Unless you have a very high Rx, I wouldn't worry about h= igh index
   > >materials: They don't provide clarity, just the cosmetics of a t=
   hinner
   > >lens.
   > >
   > >Regards,
   > >Leonard Williams
   > >
   > >On 11/21/09 5:08 PM, "Anthony Hind" <[email protected]> = wrote:
   > >
   > > > Dear Lutenists
   > > > I was having problems sending messages from my usu= al mail, so
   > I
   > > > am trying out my Yahoo Mail.
   > > > Rather than just making a test, I wonder whether any of yo= u can
   help
   > me
   > > > relating to suitable glasses for reading music.
   > > > I understand that the usual progressive glasses are almost=
   useless,
   > > > because of their narrow field of view, and it has been sug=
   gested that
   > I
   > > > try degressive lenses (close to middle distance).
   > > > Have any of you tried these? I was told that they maintain= an
   > excellent
   > > > field of view, and could be as good, or better than single=
   purpose
   > > > (music reading or computer) lenses.
   > > > This obviously means, I will also need either long view gl= asses
   or
   > > > progressive lenses for normal outdoor use.
   > > > Any experience with these degressive lenses would be of in=
   terest to
   > me.
   > > > Regards
   > > > Anthony
   > > >
   > > > --
   > > >
   > > >
   > > > To get on or off this list see list information at
   > > > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >
   >
   >

Reply via email to