Dear Dana,

You ask if there are any instruments with open courses tuned to the same
note. Some tunings of the Turkish saz or baglama (long-necked lute-like
instrument) have the 1st and 3rd courses tuned to the same pitch. See

http://en.wikipedia.org/wiki/Ba%C4%9Flama#Ba.C4.9Flama_tunings

Although the five-string banjo in standard G tuning doesn't duplicate
the pitch of the open strings, the stopped notes on the 1st and 5th
strings duplicate each other from the 5th fret onwards.

Best wishes,

Stewart McCoy.

-----Original Message-----
From: [email protected] [mailto:[email protected]] On
Behalf Of [email protected]
Sent: 24 December 2009 00:09
To: [email protected]
Subject: [LUTE] Q on odd tunings for plucked instruments

Staff notation differes from tablature notation in many ways, but a
fundamental point of difference is that ordinary staff notation specifys
only the pitch of each note, and not where on the instrument it is
produced, for instruments with alternatives this leaves it up to the
player, and must be determined in advance, which is a difficulty when
playing by sight.

Annotations on the score will tell a guitarist what position to play in,
an organist might have separate staves for each manual; a number of
conventions address this issue, but for a computer program it comes down
to what data is recorded internally.

MusicXML records the fret and the pitch; but not the tuning (its a big
specification, might have missed that).  Notation software can review
the
recorded note/fret pairs and deduce the open tuning (and therefore the
implied course) so long as two things are true - fretting must be
indicated as if it was chromatic, no two courses can have the same open
pitch.

I suspect there are some historical cittern tabulatures which break the
first; and the second may be a problem for some scordaturas on
appalachian
dulcimer (which also has a diatonic fretting issue).  The 5-string banjo
has a myriad of tunings that i have not explored, perhaps its fifth
string
is sometimes tuned-down to double the first?

Q -

Besides the strummed dulcimer, ignoring octaves and sympathetic drones,
can anyone think of an instrument which (sometimes) employs
duplicated-pitch open courses?
--
Dana Emery



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