Definitely the gut 11c. The 13c sound is very typical for today, but I
   think in a decade or so it will be viewed in the same way we view the
   1970s recordings with big booming basses, but this time overall too
   big, too bright, too 'in your face'. I'd love to hear your 13c strung
   in gut...



   Rob MacKillop

   2009/12/31 Daniel Winheld <[1][email protected]>

     Danny-
     Bravo! Very satisfying videos. I'm with Ed Martin on this; I much
     prefer the 11 course in gut, although they both sound very good. It
     reminds me of my own 13 course, which is mostly gut, while your 13
     course shares some of the tonal qualities of my archlute, which is
     all synthetic including copper overspun basses. The extra, left-over
     vibration/sustain in the synthetics manifests (in MY ears!) as a
     "slight disturbance in the force", but boy is it convenient to have
     one lute in synthetics.
     Your sound has improved significantly over the first time I ever
     heard you (only on line so far); and you have achieved a unified
     intimacy- an "at-oneness"-  with your lutes that is strong, obvious,
     and very moving. Keep up the good work, this was a pleasure to
     listen
     to.
     Dan
     >   I recently did a video comparison of the D Major Reusner
     Passacaglia
     >    between my 11 and 13 course lutes, but having been recorded a
     few
     >    months apart, it wasn't really a fair competition. Here now is
     a direct
     >    comparison filmed consecutively with the same equipment, the
     same
     >    distance from the same mic and the same processing by way of a
     Weiss C
     >    Major Prelude:
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