Does anybody know when the single second course came into use on
baroque
lutes? During a relative short period several new, transitional tunings
came into use before everybody settled on Dm tuning on 10 course lutes.
But did these lutes have a single 2nd course? If a typical baroque
technique was already used it's perhaps yes. 
Ballard is still renaissance tuning with -I assume- a double 2nd string,
or do we still play this music on totally wrong instruments and wrong
technique? Was change in playing technique the only reason for the
change?
Are there any historical facts about this in literature, old
instruments?
Taco - who just turned his 10 course into a french baroque lute. 




To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

Reply via email to