Hi Joachim,

I think that you have right about attribution this pieces not to Pękiel. 
There is incorrect. Some seriously argument was presented also in 
edition <<Tańce polskie z Tabulatury gdańskiej (I poł. XVII w.) na 
lutnię>>, by Zofia Stęszewska, in WDMP 30, Kraków 1965. She claimed that 
B.P is <<Ballo Polacco>>.
Hieronim Feicht and then Maria Szczapańska attributed incorrect this 
dances to Bartłomiej Pękiel. Szczepańska wrote also about folk songs and 
one of example is <<Jechał chłop do miasta>> (A peasant has been went to 
city) and melody from this song is close to Christmas carol <<Z raju 
pięknego miasta>> (From  paradise beautifull city). This song you can 
find also in Mikołaj Strzeszkowski lute tablature, shelf mark is 1400/I.
There was edited a <<Thematic Catalogue of Music in Manuscript from the 
Former Stadtbibliothek Danzig Kept at the Staatsbibliothek zu 
Berlin-Preussischer Kulturbesitz Musikabteilung mit Mendelssohn-Archiv>> 
by Danuta Szlagowska, Barbara Długońska, Danuta Popinigis and Jolanta 
Woźniak, Musica Iagellonica 2007. The <B.P.> pieces were considered as 
anonimus. In this book you would find some more informations.

Bests

Grzegorz


Dnia 6-02-2010 o godz. 11:20 "Dr. Joachim Lüdtke" napisał(a):
> Hi Allan,
> 
> great! Judging from the list of contents, your book contains quite a
> number of very attractive and accessible pieces. I have a small quibble
> concerning the ascription of the Polish
> Dance to Bartlomiej Pekiel: The piece is from the ex-Gdansk Ms. 4022,
> isn't it? The Polish Dances (or at least, a certain number of them) from
> this lute book where first identified as works by Pekiel in Hieronim
> Feichts dissertation about the works of Pekiel in 1923, and later edited
> as Pekiel's by Szczepanska. However, this identification was based on a
> misunderstanding of the abbreviation "B.P.", which in the source means
> "Balletto Polacho". Ms. 4022, which is now in Berlin, contains a number
> of other titles which have given rise to erroneous interpretations -
> some of these things are quite jolly! I am working on a small study of
> this manuscript, its provenance, collector and its music, and although
> much of the work consist of tedious searching procedures, some is really
> exhilirating.
> 
> Cheers,
> 
> Joachim
> 
> 
> 
> "Allan Alexander" <[email protected]> schrieb:
> > Hi Gang,
> > 
> > we have a new edition.
> > 
> > The Queen's Musick Book/CD
> > 
> > 27 pieces in French TAB
> > 
> > http://www.guitarandlute.com/queens.html
> > 
> > The pieces are as follow:
> > 
> > La Mutia - Santino Garsi da Parma
> > Correnta - Santino Garsi da Parma
> > La Cesarina - Santino Garsi da Parma
> > Calata ala Spagnola - Joan Ambrosio Dalza
> > Moresca Prima, deta le Canarie - Julio Cesare Barbetta
> > Pasamezzo - Adrian Leroy
> > Favorito - Diomedes
> > A Gigue - R. Askue
> > Fortune - John Dowland
> > Il Pastor Leggiadro - Cesare Negri
> > La Vilanella - Vincenzo Capirola
> > An Almaigne - Thomas Robinson from The Schoole of Musicke
> > Polish Dance - Bartlomiej Pekiel
> > Galliard - Francis Cutting
> > Villanella - Marco Fabrizio Caroso
> > Villanella - From The Chilesotti Collection
> > Chiara Stella - From The Chilesotti Collection
> > A Jig - Anonymous
> > A Sleight Conceit - Anonymous
> > Canario - Cesare Negri, Variations by Allan Alexander
> > Fantasia Prima - Simone Molinaro
> > Cutting's Comfort - Francis Cutting
> > Saltarello 3 - Simone Molinaro
> > Italiana - From The Chilesotti Collection
> > Untitled Piece - From The Chilesotti Collection
> > Courante - From The Chilesotti Collection
> > Fantasia 40 - Francesco da Milano
> > 
> > 
> > 
> > 
> > To get on or off this list see list information at
> > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> > 
> > 
> 
> 
> --
> Joachim Lüdtke, Lektorat & Korrektorat
> Dr. Joachim Lüdtke
> Blumenstraße 20
> D - 90762 Fürth
> Tel. +49-+911 / 976 45 20



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