I meant, as you must have realised, that *physically* they are very
   different to play, and no amount of movable "do" is going to explain
   that away  : )

   P
   On 26 February 2010 05:43, David Tayler <[1][email protected]>
   wrote:

       Just a question, are you a fixed "do" (or ut) person or a movable
     do
       person? Most of use are fixed do people. But even 40 years ago,
     this
       was not the case. My teacher was trained in moveable Do, and as a
     music
       student I was tained in both--although I had to teach myself the
     clefs.
       Transposition, fortunately, was required. After about ten years I
       noticed I didn't see just the TAB anymore, which I'm sure would
     have
       happened very quickly if I learned in the renaissance, I just saw
     the
       notes and the tab together, although transposing tab is still
     slower
       than just notes. Ficta is just as fast.
       I'm not saying it is an easy idea, I'm just saying the other way
       doesn't make any sense, if you are trained in the renaissance or
     early
       baroque style. Plus it solves the ficta issue.
       This year is the 400th anniversary of the Vespers. I've played it
     a
       zillion times, but never according to the instructions--the
       transposition is always written out for me. I don't need it, but
     it is
       anyway.
       So the original "key" is the only key that is never, ever played.
     It is
       always a struggle to move away from what you are used to.
       dt

     At 01:16 AM 2/25/2010, you wrote:
       That sounds fine in theory, but Lachrimae in G minor or A minor are
       certainly very different when you actually play them!
       P
       On 25 February 2010 04:26, David Tayler
   <[1][2][email protected] >
       wrote:
            Re different pitches,
            if you accept that they used a transposing system, and that
   tab
            was
            equivalent, for the professionals, to music notation, then
   there
            is
            effectively no difference in pitch or key.
            dt

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