Dear Andreas, I would also be very pleased to have a copy of Christophe's work.
Best wishes, Stewart McCoy. -----Original Message----- From: [email protected] [mailto:[email protected]] On Behalf Of David Tayler Sent: 07 April 2010 09:20 To: lute-cs.dartmouth.edu Subject: [LUTE] Re: Milano Matelart Oink! Would love to have a copy to read the text as well. d At 12:16 AM 4/7/2010, you wrote: >There's a very good study on the repertory for lute ensemble from >1507-1601, written by Christophe Dupraz in French (around 650 pages >of text and the whole repertory transcribed...). I made a PDF of >this work because there are only a few existing books and the >computer setup on which the work was done is no longer available. So >this PDF is the only available source. I gave the master files to >Christophe Dupraz and he's the only man who can give authorized copies of it. >People who are interested on this work could send me a mail and I >will forward them to Christophe Dupraz. I think he's not amused when >I give here his private mail address... but this way could work. > >Andreas > >Am 07.04.2010 um 09:02 schrieb Edward Martin: > > > Hello again, Martin. > > > > Yes, I agree that it is neat, and also more than that... Those are my > > impressions that in Val;derrabano's duets, 3 unison arrangements do > > mimic the Holy trinity. As for the others, the 3 at a third, 4 at a > > fourth, and five at a fith are certainly not coincidental, but very > > cleverly planned. > > > > This kind of symmentry or symbolism is seen throughout the genius of > > the renaissance. > > > > ed > > > > At 03:36 PM 4/6/2010, Martin Shepherd wrote: > >> Hi Ed, Ariel and All, > >> > >> Thanks for the correction - I was relying on my memory (foolish, I know). > >> > >> It always struck me as neat that there were three a third, four a > >> fourth, five a fifth apart, and of course, three in unison ("three > >> in One", the Trinity). > >> > >> Tone apart is good for arrangements - I've got a collection of late > >> 16th canzone by Guami, Gabrieli, etc. which work well. The good > >> thing is in homophonic sections where you want full chords you get > >> different spacings on the two lutes, which gives a rich effect. I > >> must polish, and publish one of these days..... > >> > >> Best wishes, > >> > >> Martin > >> > >> Edward Martin wrote: > >>> Hello, Martin, > >>> > >>> It is good to see your post. I have a question... I recorded a few > >>> years ago, with Phil Rukavina, the duets of Valderrabano, all of > >>> them. Three are in unison, three are a minor third apart, four are > >>> a forth apart, and five are fifth apart. I researched this the > >>> best I could, and I found no duets a tone apart. Are you mistaken, > >>> or is there something we missed? > >>> > >>> With best wishes, > >>> > >>> ed > >>> > >>> > >>> > >>> > >>> > >>> > >>> At 06:21 AM 4/6/2010, you wrote: > >>>> Hi Ed, > >>>> > >>>> Five of the seven Milano/Matelart duets are for tone-apart lutes. > >>>> All seven are available in an edition (which also includes > >>>> versions for equal lutes) by Gordon Gregory, published by the Lute > >>>> Society (www.lutesoc.org). It's cheap and worth having. > >>>> > >>>> It's also worth having the SPES facsimile of the Matelart book - > >>>> his solo fantasias are good too. > >>>> > >>>> The Toccata by Piccinini is for tone-apart lutes, and there are > >>>> several in Phalese, again published by the Lute Society in an > >>>> edition by Lynda Sayce. Valderrabano also has two duets for > >>>> vihuelas a tone apart. > >>>> > >>>> Best wishes, > >>>> > >>>> Martin > >>>> > >>>> Ed Durbrow wrote: > >>>>> I'm looking for online sources of duets for lutes a step apart, > >>>>> particularly the Milano Matelart ones. Sarge Garbode just has one of > >>>>> them which I already have. Any other nice ones a step apart? > >>>>> > >>>>> TIA > >>>>> Ed Durbrow > >>>>> Saitama, Japan > >>>>> [1][email protected] > >>>>> [2]http://www9.plala.or.jp/edurbrow/ > >>>>> > >>>>> -- > >>>>> > >>>>> References > >>>>> > >>>>> 1. mailto:[email protected] > >>>>> 2. http://www9.plala.or.jp/edurbrow/ > >>>>> > >>>>> > >>>>> To get on or off this list see list information at > >>>>> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > >>> > >>> > >>> > >>> Edward Martin > >>> 2817 East 2nd Street > >>> Duluth, Minnesota 55812 > >>> e-mail: [email protected] > >>> voice: (218) 728-1202 > >>> http://www.facebook.com/profile.php?id=1660298871&ref=name > >>> http://www.myspace.com/edslute > >>> > >> > >> > >> > >> Edward Martin > >> 2817 East 2nd Street > >> Duluth, Minnesota 55812 > >> e-mail: [email protected] > >> voice: (218) 728-1202 > >> http://www.facebook.com/profile.php?id=1660298871&ref=name > >> http://www.myspace.com/edslute > >> > > > >
