On Oct 15, 2010, at 2:50 PM, Stuart Walsh wrote: > The piece goes beyond the three octaves of a lute so I had to do some octave > transposition.
The big advantage of 12-tone music is that nobody can tell. > The phrases are very clearly marked and I didn't do any Baroque guitar-style > octave hopping: I only moved complete phrases. Also the tempo of quaver=76 is > too slow for a G-lute so I played it a bit faster. > > Overall, I probably murdered the piece! The big advantage of 12-tone music is that nobody can tell. > But I think serial music could work on a lute or lutes. The big advantage of 12-tone music is that nobody can tell. To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
