The dot of augmentation (not division) is a performance option which 
is technically not an ornament, although it can be used as such. The 
dot is integral to the polyphonic web. It would be a mistake to 
assume that there is a correct version--different mss often show 
variations in dots and ties. Prints are often different from mss 
because printed the dots and ties was often too much bother. In 
sources that are undotted specifically owing to technical limitations 
of the source, it is reasonably to supply the dots from a 
concordance, keeping in mind that you may be creating a new, unique 
version, and that undotted performances are an option.
In this sense, editions are still hamstrung (not gut strung) with the 
older idea of an urtext, that if you go back far enough, you will see 
a perfect, correct score. What happens when you go back to earlier 
sources is that you see, understandably, earlier versions.
The best you can do is find a fairly accurate copyist, which does not 
really signify either correctness, "ur-ness" or intent.

So you may dot and tie as you please, hopefully within the bounds of 
style, keeping in mind that you may introduce a parallel fifth or 
octave, or, more often,  avoid one--this is one of the main uses of 
the dot, particularly for delayed fifths.
So, in order to use, or not use, the dot, in polyphony you have to 
also be able to hear or see the parallels. If you grew up singing 
this music, you would hear them instantly, as quickly as spotting a 
beret on the Mona Lisa, but you would also have a strong sense of 
style so that notational shorthand would not be an issue. Extant 
exercise books, in which the successive intervals are marked with 
numbers, show exactly how the voice-leading was studied and checked 
as a part of basic music curriculum.
A secondary use of the dot, which becomes more important from the 
mid-16th century on, is for ornamentation.
There are some theories about mss dotting, cited by Lumsden, as to 
dating English early 17th c. mss by the number and style of dotting. 
In this narrower sense, this seems to be an indicator with exceptions.
The dot means different things in different times and places, 
however, this is true for notation as a whole.
dt



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