In that same excellent concert the second half was played on a replica of a 19th century guitar, the kind with a smaller body and simple lute-like barring. I'm struck by how beautiful, bright, and clear the sound of these instruments is, especially when playing music from that period. (I heard a fine Carulli sonata.)

So what were builders and players after that they made the body bigger and the barring stronger on modern classical guitars?

Suzanne



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

Reply via email to