In that same excellent concert the second half was played on a replica
of a 19th century guitar, the kind with a smaller body and simple
lute-like barring. I'm struck by how beautiful, bright, and clear the
sound of these instruments is, especially when playing music from that
period. (I heard a fine Carulli sonata.)
So what were builders and players after that they made the body bigger
and the barring stronger on modern classical guitars?
Suzanne
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