Dear All,
Can't think why I haven't said this before, but I hope some of you find
it useful:
The higher the fret, the further from the bridge (in terms of
proportion) you are plucking the string, so think about playing a little
closer to the bridge when you play those notes on higher frets.
Best wishes,
Martin
On 17/12/2010 16:17, Edward Mast wrote:
Stuart, I was thinking about your comments today as I worked on a Dowland piece
that has passages in the i,k,l fret area. On my lute these frets don't have
the resonance that the lower frets do, either. What I do find, though, is that
I get a better sound from the body frets when I play them with the fingers - no
matter where they fall in the measure - than with the thumb. Perhaps you've
noticed this, or perhaps your right hand technique is different from mine. . .
-Ned
On Dec 14, 2010, at 6:16 AM, Stuart Walsh wrote:
On 14/12/2010 00:02, sterling price wrote:
Most lutes have way too small body frets as they come from the maker. I always
make bigger more suitable frets on my lutes. This often means that they get
-taller- as they go up from fret K, especially if there is 14 frets. Of course
this all depends on the action of the lute.
--Sterling
14 frets? Is there music that calls for 14 frets?
On my lute the high g, fret n, sounds weak, very plinky an unfocused. I can't
imagine what a fourteenth fret would sound like!
Stuart
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