First thing that springs to mind - shoulder tension. Especially when its cold its easy to unconsciously shrug the shoulders up a bit, and I find that loosening the shoulders is a powerful way to ease the flow of blood down to the fingers. I see this especially every Alexander Technique lesson I have, by the end of which I get a strong rush of blood into my hands such that the fingers often go beetroot down to the second joint. In a pre-gig situation usually the best way to re-create this loosening is by performing a number of windmill motions with each arm. If there's a private space its also good to do 10 minutes lying in semi-supine* on the floor, head on a book (thickness chosen to maintain a roughly straight spine) which is a key Alexander practice. I really recommend Alexander Technique to all musicians, whether they have postural, muscular or other issues, or not. First person I ever saw doing semi-supine was Nigel North.

Apart from that the obvious thing of wear as much thermal understuff as you can without looking ridiculous. The body will preferentially keep blood to the torso and let the hands go cold, human thermo-regulation not being best adapted for musical performance. If torso is warm or even very warm, blood will be let down to the hands, which is the only way you can get long-term warmth down to the finger tips.

Never do anything novel for the first time before a performance...

Stephen

* semi-supine = lying with knees raised, feet on floor positioned so knees remain in position without muscular effort. Restrict it to 10 minutes even though I may only start to feel really good by that point - otherwise stiffness may set in,


Dick Brook wrote:

Hi Netters

I'm interested in any remedies for cold finger tips, which I invariably get when I play a gig in a cold room. Very frustrating-fingerless gloves? chemicals?, Holding a cup of tea an hour before?

Any suggestion appreciated.

Dick Brook

[email protected]



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