What can the collective wisdom share about a style of composition
called down(e) or dump? I have four of these: two from Holmes (ff. 12, 94)
and two from Marsh (ff. 124, 426). Questions: Are they basically divisions
on a ground? Does one follow a strict rhythm with them?
I enjoy playing (in some cases simply attempting) these. Are there
others, perhaps by different names/titles?
Thanks and regards,
Leonard Williams
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