Hi, to all,


   I don't have a source for Ford's music, alas, and agree with all that
   Sean said about it.



   However, I'm writing in my curmudgeonly persona to try to nip an
   understandable but bogus etymology from taking hold.  To whit:  the
   French style which Ford's songs probably do not represent are airs de
   cour, "songs of the court", not airs de coeur, "songs of the heart".



   Just sayin', that's all.



   Best to all, and keep playing,



   Chris.

   On Sat, Feb 25, 2012 at 6:33 PM, Sean Smith <[1][email protected]>
   wrote:

     Hi Tom,
     I don't see any replies to your question --"Have you driven a Ford
     discussion lately?"-- so here's what I know.
     He certainly doesn't figure prominently in the first string of late
     Elizabethan or Jacobean composers but one book of his survives:
     Musicke of Sundrie Kindes Set forth in two Bookes. The First Whereof
     Are Aries [sic] for 4 Voices to the Lute, Orphorion, or Basse Viol,
     with a Dialogue for two Voices, and two Basse Viols in parts, tunde
     the Lute way. The Second are Pavens, Galiards, Almaines, Toies,
     Iigges, Thumpes and suchlike, for two Basse-Viols, the Lieraway, so
     made as the greatest number may serve to play alone, very easie to
     be performde. Composed by Thomas Ford ... John Windet ...
     Fleetstreet 1607.
     I wrote out the entire title to give an idea of what was where in
     his books. They were printed together and reprinted by Scolar Press
     in 1978.  The pieces you mentioned are in the 2nd Booke and are set
     for two bass viols written in lute tablature much like the Tobias
     Hume books (1605, 1607). He was no doubt familiar with at least the
     first TH book since he also gives the wide option of almost any
     combination (or solo). Both are printed by John Windet. Hume takes
     it one further by setting his second book for trios, also for viols
     or nearly any combination of lutes, viols and/or orpharions. The
     'lira-way' tuning is similar to bandora tuning. You should be able
     to transcribe the bandora pieces for lute (something Nancy Carlin
     has been doing from the Holmes lutebooks, btw). I haven't tried
     Fnord's but Hume's viol music sounds very nice on lute(s) and wires.
     Two other English composers included lira-way viol pieces (Corkine,
     Maynard) so the solo viol was apparently enjoying a relative
     popularity at the time.
     I'm not sure these would join the Airs de Coeur club as the songs he
     wrote are very English in composition (at least the ones I know --I
     could be mistaken since it's been a while). I don't know of an
     on-line source for these so if you can't find them, let me know and
     I'll send you some scans.
     best wishes,
     Sean

   On Feb 24, 2012, at 10:07 AM, [2][email protected] wrote:
    Dear Lute Friends,
      A student of mine heard some Thomas Ford airs de coeur on
    public radio performed by Godelieve Monden and Narcisso Yepes.
      The selections are:
    Allemande
    Forget Me Not
    A Pavan
    A Galliard
    The Bagpipes
    The Wild Goose Chase
      Are these available anywhere in Fronimo or PDF?
    Thanks,
      Tom
    Tom Draughon
    Heartistry Music
    [3]http://www.heartistrymusic.com/artists/tom.html
    714  9th Avenue West
    Ashland, WI  54806
    [4]715-682-9362
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References

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