RE Michael Jackson - I think it's the zombie look you get from spending
   too much time in solitary practice and losing your grip on reality.
   We've all been there, I suspect.  The tricky part, though, is the dance
   moves . . .

   Bill
   From: Gary Digman <[email protected]>
   To: [email protected]
   Sent: Monday, 12 March 2012, 7:23
   Subject: [LUTE] Re: Saturday quotes
   The "Michael Jackson" approach? Hanging the lute over the balcony
   railing?
   Playing with one hand in a glove?
   Gary
   ----- Original Message -----
   From: "Roman Turovsky" <[1][email protected]>
   To: "Mark Wheeler" <[2][email protected]>; "Ron Andrico"
   <[3][email protected]>
   Cc: <[4][email protected]>
   Sent: Sunday, March 11, 2012 8:06 AM
   Subject: [LUTE] Re: Saturday quotes
   > Which sounds like an excuse for certain "Michael Jackson" approach to
   > Early
   > Music.
   >
   > Unrewarding, both visually and musically.
   > RT
   >
   >
   >
   > ----- Original Message -----
   > From: "Mark Wheeler" <[5][email protected]>
   > To: "Ron Andrico" <[6][email protected]>
   > Cc: <[7][email protected]>
   > Sent: Sunday, March 11, 2012 9:08 AM
   > Subject: [LUTE] Re: Saturday quotes
   >
   >
   >> Reading this I can't help but feel that you are pressing for an
   aesthetic
   >> that is more a reaction to our modern world than one that reflects a
   >> possible 16th century cultural atmosphere....
   >>
   >> Check out this excellent article by Liz Kenny...
   >> "The uses of lute song: texts, contexts and pretexts for
   aEUR~historically
   >> informed' performance" Early Music 2008/02
   >>
   >> Here us a bit of the opening..
   >>
   >> "Our enthusiasm for printed sources has obscured other ways of
   >> approaching
   >> these songs, and has artificially divided them from the songs of the
   next
   >> generation. What looks like a perfect balance on paper may or may
   not
   >> have
   >> remained so when the songs were performed, and the seductive
   solitude
   >> evoked by a book to be kept and treasured at home may not have
   always
   >> represented composer aEUR~intentions', if indeed we can separate
   these from
   >> performer intentions. The aEUR~miniaturist aesthetic' of privacy,
   secrecy and
   >> the aEUR~esoteric' often define this repertory. aEUR~Iconographical
   >> representations of the lute in performance of instrumental or vocal
   music
   >> ... consist- ently depict a theatre of privacy and solitude ...
   apart (or
   >> distanced) from public, courtly culture.' This may have been true of
   one
   >> group of performersaEUR"the most iconogenicaEUR"but it ignores what
   others were
   >> doing in other contexts, very definitely in public."
   >>
   >> The end (with lots of interesting stuff in-between....)
   >>
   >> "Early 17th-century musicians faced a challenge which their modern
   >> descendents have no trouble recognizing: that of adjusting their
   personal
   >> creative ambitions to different sorts of audience or consumer
   demand.
   >> This
   >> is not compatible with a philosophy of one aEUR~right' or even one
   generally
   >> preferable style of modern performance based on a careful sifting of
   his-
   >> torical evidence, if the sift eliminates evidence incom- patible
   with any
   >> single interpretative thesis. Modern ideas of aEUR~public' and
   aEUR~private' are
   >> not always helpful: traces of 17th- century public practice are to
   be
   >> found in privately circulated manuscripts, while widely available
   printed
   >> books facilitated solitary music- reading. To illuminate this
   repertory
   >> from scholarly angles we need not a normative musicology but a more
   >> cheerfully disruptive one: we might then use its tools to sharpen a
   new
   >> set of interpretive skills. As Robert Spencer said aEUR~I see
   nothing
   >> upsetting in that' "
   >>
   >> All the best
   >> Mark
   >>
   >> www.pantagruel.de
   >>
   >>
   >>
   >>
   >>
   >> On Mar 10, 2012, at 5:43 PM, Ron Andrico wrote:
   >>
   >>>  We have posted our Saturday quotes on performing lute songs with
   no
   >>>  gimmicks:
   >>>  [1][8]http://wp.me/p15OyV-lv
   >>>  Ron & Donna
   >>>
   >>>  --
   >>>
   >>> References
   >>>
   >>>  1. [9]http://wp.me/p15OyV-lv
   >>>
   >>>
   >>> To get on or off this list see list information at
   >>> [10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >>
   >>
   >>
   >>
   >
   >
   -----------------------------------------------------------------------
   ---------
   No virus found in this incoming message.
   Checked by AVG - www.avg.com
   Version: 9.0.927 / Virus Database: 271.1.1/4264 - Release Date:
   03/11/12
   00:34:00

   --

References

   1. mailto:[email protected]
   2. mailto:[email protected]
   3. mailto:[email protected]
   4. mailto:[email protected]
   5. mailto:[email protected]
   6. mailto:[email protected]
   7. mailto:[email protected]
   8. http://wp.me/p15OyV-lv
   9. http://wp.me/p15OyV-lv
  10. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

Reply via email to