Thanks Rob.  This is interesting.  Presumably the publisher/record
   company must get something worthwhile out of this, or they wouldn't be
   agreeing to let Spotify include their tracks.  Either that or they view
   it as a marketing tool that will encourage listeners to buy the
   download or the CD.  It works that way with me, but presumably I'm in a
   minority.

   Not being of the 'download' generation, and finding the sleeve notes
   greatly enhance my listening enjoyment, I tend to buy the CD of
   anything I like.  Tony Bailes' recent 'Netherlands' CD cost me over
   -L-20 including postage and tax from the record company (Carpe Diem) in
   Germany.  I wonder how much of that will end up in Tony's pocket?

   Unfortunately, the music industry is in a mess these days, and nobody
   has yet found a way to make sure the artist gets their due.  Illegal
   downloads and dodgy CDs are, of course, rife, but it would appear to be
   the case, too, that even when things are done legally, the artist is at
   the end of the queue for picking up their meagre share of the takings.

   Bill
   From: Rob MacKillop <[email protected]>
   To: William Samson <[email protected]>
   Cc: "[email protected]" <[email protected]>
   Sent: Friday, 16 March 2012, 12:01
   Subject: Re: [BAROQUE-LUTE] Re: What lutes for 17th century French
   music was: Ne Anthony Bailes CD
   Will I be shot down in flames by suggesting you don't use Spotify? The
   thing is a massive rip off. The musician gets almost nothing for being
   on it. Lady Gaga had over a million plays on it, and received just over
   100 dollars. Imagine what Anthony Bailes would receive... Many
   musicians are boycotting the site, including Bob Dylan, who doesn't
   need the money, but wants to support other artists.
   We all want something for free, but sometimes the cost is too high.
   I'm not talking about the income musicians get from CDs, which is very
   small in our lute world, but the record companies will not bother
   making any more lute recordings is even we as lute players do not
   support them.
   Sorry, Bill. I know you bought the disc, so full marks there. But I
   want others to think about using Spotify, what it entails. Sadly, I'm
   also on Spotify - I had no control over it, and didn't even know I was
   there until someone asked for a free score of pieces he was listening
   to me play on Spotify...and got annoyed at me when I said no.
   Rob MacKillop
   On 16 March 2012 11:31, William Samson <[1][email protected]>
   wrote:

       Hi Martyn,
       Go to [1][2]www.spotify.com where you can download the player onto
     your
       computer.
       There are then two options - you can go for the free version which
     has
       occasional ads between tracks, or the paid version that is
     ad-free.
       Being a Scotsman I put up with the ads!
       Best wishes,
       Bill
       From: Martyn Hodgson <[3][email protected]>
       To: William Samson <[4][email protected]>
       Sent: Friday, 16 March 2012, 11:17
       Subject: Re: [BAROQUE-LUTE] What lutes for 17th century French
     music
       was: Ne Anthony Bailes CD
       Thanks Bill - how does one access spotify?
       rgds
       M--- On Fri, 16/3/12, William Samson <[5][email protected]>
     wrote:
         From: William Samson <[6][email protected]>
         Subject: Re: [BAROQUE-LUTE] What lutes for 17th century French
     music
         was: Ne Anthony Bailes CD
         To: "Martyn Hodgson" <[7][email protected]>
         Date: Friday, 16 March, 2012, 10:38
       I just found that this album can be listened to on Spotify if you
     have
       access to it.  It's free to use in the UK, but I can't say how
     things
       are elsewhere.
       Bill
       From: Martyn Hodgson <[8][email protected]>
       To: "[9][email protected]"
     <[10][email protected]>;
       Edward Martin <[11][email protected]>; William Samson
       <[12][email protected]>
       Sent: Friday, 16 March 2012, 9:04
       Subject: [BAROQUE-LUTE] What lutes for 17th century French music
     was:
       Ne Anthony Bailes CD
         Hi Bill,  This is indeed a fascinating subject (hence the change
     of
       heading).  I am told variously that the 1722 Wenger has a string
     length
       of 76 or  77cm.  It may at some stage have been converted (from a
       gallichon  perhaps?) to a 13 course lute before the present
       manifestation as an 11  course instrument . Again see earlier
     editions
       of Lute News for more  information/views.  The preferred
     instruments at
       the time (ie converted early 16th cenury  Italian lutes) generally
     had
       a string length of 68 +/-2cm. See Lute  News 94, page 28 which
     outlines
       the principle sources of evidence for  the size of lutes preferred
     in
       mid/late 17th century France).  But bear in mind (as Lute News
     notes)
       "Of course, this is not to say  that it is 'wrong' to play the
     music on
       such a large lute and, indeed,  the French repertoire whilst being
       challenging for interpretation  (precise phrasing, accent,
       articulation, mannerisms and the like), is  much less demanding
     for the
       left hand and a large instrument is clearly  quite possible:  it's
     more
       a question of what the Old Ones themselves  might have expected".
       Incidentally, I make no comment one way or the other on Anthony
       Bailes's performance.  regards  Martyn  PS the CD of music played
     on
       this instrument which I reported as being  out over a year ago in
     fact
       refers to a previous CD played on the same  instrument.........
     --- On
       Fri, 16/3/12, William Samson <[2][13][email protected]>
     wrote:
       From: William Samson <[3][14][email protected]>    Subject:
       [BAROQUE-LUTE] Re: Ne Anthony Bailes CD    To: "Martyn Hodgson"
       <[4][15][email protected]>,
     "[5][16][email protected]"
       <[6][17][email protected]>,    "Edward Martin"
       <[7][18][email protected]>    Date: Friday, 16 March, 2012, 8:33
          Hi
       Martyn,      Do you know what the string length of the Wenger is?
       Bill      From: Martyn Hodgson
     <[1][8][19][email protected]>
       To: [2][9][20][email protected]; Edward Martin
       <[3][10][21][email protected]>      Sent: Friday, 16 March 2012,
     8:08
         Subject: [BAROQUE-LUTE] Re: Ne Anthony Bailes CD        Dear
     Edward,
             Thank you for this notice: in fact this CD has been out in
     Europe
         for        over a year.        Unfortunately, as Anthony Bailes
     later
       agreed (see letters in Lute      News        from No 94, August
     2010
       on), the large Wenger lute used on the        recording (if indeed
     it
       was built as a lute and not a gallichon -  the        instruments
     for
       which Wenger was best known) is not the most  suitable        (or
       appropriate) type of instrument for playing the mid/late 17th
       century French repertoire. As you'll know, conversions of early
     16th
             century Italian instruments were then the most highly
     regarded.
             Indeed, in Lute News 95 Anthony Bailes writes: '......a lute
     the
       size        of the Wenger should not find acceptance as being
     ideal for
       the        performance of 17th century French lute music,......'
       regards        Martyn        --- On Fri, 16/3/12, Edward Martin
       <[1][4][11][22][email protected]>  wrote:          From: Edward
     Martin
       <[2][5][12][23][email protected]>          Subject:
     [BAROQUE-LUTE] Ne
       Anthony Bailes CD          To:
     [3][6][13][24][email protected]
               Date: Friday, 16 March, 2012, 2:50        Dear Ones,
      For
       those on the list who enjoy well played 11-course French  baroque
         lute, there is a new release by Abthony Bailes, on the Ramee
       label.  it is entitled, 'Une Douceur violente", and it contains
     works
             of Mouton and Gallot.  He recorded this program on his
     authentic
       lute        by Georgi Ferdinand Wenger, Augsburg, 1722.  The
     catalog
       number is        RAM 1104, and it is available in the USA, in
     usual
       outlets.        This is an announcement, not a review.  The
     instrument
       is a large        one, and the pitch is consequently quite low, at
     a70,
       in essence        making it in a b-minor tuning.  Beautiful sound
     and
       playing,  highly        recommended.        ed        Edward
     Martin
           2817 East 2nd Street        Duluth, Minnesota  55812
       e-mail:  [1][4][7][14][25][email protected]        voice:  (218)
     728-1202

     [2][5][8][15][26]http://www.facebook.com/profile.php?id60298871&ref=
     name
           [3][6][9][16][27]http://www.myspace.com/edslute
       [4][7][10][17][28]http://magnatune.com/artists/edward_martin
      To get
       on or off this list see list information at

     [5][8][11][18][29]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.
     html
           --      References        1.

     [9][12][19][30]http://us.mc817.mail.yahoo.com/mc/compose?to%C3%AD@ga
     mutstri
       n  [31]gs.com        2.

     [10][13][20][32]http://www.facebook.com/profile.php?id60298871&ref=n
     ame
           3. [11][14][21][33]http://www.myspace.com/edslute        4.
       [12][15][22][34]http://magnatune.com/artists/edward_martin
     5.

     [13][16][23][35]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.ht
     ml
       --  References      1. mailto:[17][24][36][email protected]
      2.
       mailto:[18][25][37][email protected]      3.
       mailto:[19][26][38][email protected]      4.
       mailto:[20][27][39][email protected]      5.

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          6.
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       [23][30][42]http://magnatune.com/artists/edward_martin      8.
       [24][31][43]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
          9.

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        11.
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       [28][35][47]http://magnatune.com/artists/edward_martin    13.
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      --
       References  1.

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       --
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      65. [145]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     To get on or off this list see list information at
     [146]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:[email protected]
   2. http://www.spotify.com/
   3. mailto:[email protected]
   4. mailto:[email protected]
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  68. http://us.mc817.mail.yahoo.com/mc/compose?to%[email protected]
  69. http://us.mc817.mail.yahoo.com/mc/compose?to%c2%[email protected]
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  77. http://www.facebook.com/profile.php?id60298871&ref=name
  78. http://www.myspace.com/edslute
  79. http://magnatune.com/artists/edward_martin
  80. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  81. http://www.spotify.com/
  82. http://us.mc817.mail.yahoo.com/mc/[email protected]
  83. http://us.mc817.mail.yahoo.com/mc/[email protected]
  84. http://us.mc817.mail.yahoo.com/mc/[email protected]
  85. 
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  86. 
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  87. http://us.mc817.mail.yahoo.com/mc/compose?to%[email protected]
  88. http://us.mc817.mail.yahoo.com/mc/[email protected]
  89. 
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  90. http://us.mc817.mail.yahoo.com/mc/compose?to%[email protected]
  91. http://us.mc817.mail.yahoo.com/mc/compose?to%[email protected]
  92. http://us.mc817.mail.yahoo.com/mc/compose?to%[email protected]
  93. 
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  94. http://us.mc817.mail.yahoo.com/mc/compose?to%[email protected]
  95. http://www.facebook.com/profile.php?id60298871&ref=name
  96. http://www.myspace.com/edslute
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 100. http://www.facebook.com/profile.php?id60298871&ref=name
 101. http://www.myspace.com/edslute
 102. http://magnatune.com/artists/edward_martin
 103. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 104. http://us.mc817.mail.yahoo.com/mc/compose?to%[email protected]
 105. http://us.mc817.mail.yahoo.com/mc/compose?to%[email protected]
 106. 
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 108. http://www.facebook.com/profile.php?id60298871&ref=name
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 116. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 117. http://us.mc817.mail.yahoo.com/mc/[email protected]
 118. 
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 120. http://us.mc817.mail.yahoo.com/mc/compose?to%[email protected]
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 122. 
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 142. http://www.facebook.com/profile.php?id60298871&ref=name
 143. http://www.myspace.com/edslute
 144. http://magnatune.com/artists/edward_martin
 145. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 146. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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