Dear Howard,

   You ought to know that proving such a negative in such cases is
   well-nigh impossible.

   The real point here is to do with significant probability based on the
   historical evidence (rather than prejudice or wishful-thinking).  In
   short,  early iconography and written descriptions of the preferred
   right hand position is generally very clear:  play close to the bridge
   - either with the little finger just in front of it, on it or, even,
   just behind it.

   Of course if a modern player has developed a technique of plucking
   close to or over the rose (as is the style, say, on the modern guitar)
   it is understandable that they are reluctant to try a more historically
   preferred position.

   regards

   Martyn
   --- On Sun, 25/3/12, howard posner <[email protected]> wrote:

     From: howard posner <[email protected]>
     Subject: [LUTE] Re: Quality vs Quantity
     To: "lute ([email protected])" <[email protected]>
     Date: Sunday, 25 March, 2012, 17:25

   On Mar 25, 2012, at 9:09 AM, William Samson wrote:
   > Even subtly inauthentic technique (like
   >   thumb-inside for baroque lute, or pinky too far from the bridge)
   can
   >   cause the more sensitive souls among us to take to a darkened room
   and
   >   suck our thumbs.
   Unless you can show some proof that no lute player in the 1700's ever
   played with thumb inside the fingers and there was only one acceptable
   right-hand location, your thumb is taking some unnecessary abuse.
   Of course, your thumb may enjoy getting sucked, but that's really none
   of my business.
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References

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