Meant contraSt.
RT
On 2/13/2013 6:57 PM, Roman Turovsky wrote:
I for one appreciate high contract, especially on an instrument not
known for dynamic range.
I believe this is probably the right way to do a fandango, a la
plancha, rather that a souffle.
RT
On 2/13/2013 5:06 PM, WALSH STUART wrote:
On 13/02/2013 19:03, Christopher Wilke wrote:
Hello all,
I've posted a new video of a live performance of me playing
Santiago de Murcia's "Fandango" on baroque guitar. I've
incorporated
some improvisation into the piece. This represents the first
time I've
been able to muster up the courage to do it in front of other
people.
Your thoughts are most welcome.
The link is:
http://www.youtube.com/watch?v=g3v56-03ajU
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
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Well I very much enjoyed it (and, of course, I respect your skill and
musicianship).
You asked for some thoughts.. and no one has responded yet. I just
thought that the strumming (were those the improvised bits?) seemed a
notch too much more intense than the surroundings. E.g.: the opening
very staccato strums seemed more edgy and nervy than the passages
that immediately follow.
But great playing and maybe this music needs to be intensified a
bit....?
