Thanks for these insights Chris.
Well said, and I understand where these
ideas come from.
I'm just saying that pie makers aren't picky
about who buys and eats their wares. They
are probably happy for anybody to buy and
consume their pies. And a lot of those pie
consumers may not have the faintest idea
how to make a good pie, and the pie makers
probably don't want them to bother trying to
make a pie correctly.
Still, it benefits the pie makers to have these
people buying and consuming their pies.
Tom
Tom,
I am by no means opposed to the idea of reaching out to other
groups, but I have to say I am very skeptical about the SCA. By
including the word "anachronism" in the title of the organization,
they say quite openly that they are all about intentional
historical inaccuracy. Meanwhile, we are about being "historically
informed." Despite some (very) superficial similarities, then, our
groups are really after two diametrically opposed goals.
Then there's the double issue of the word "Creative" in their
name. Lordy, we've got people expostulating on the size of the
proper theorbo, what stringing one is permitted to use on a
baroque guitar, and how all competent musicians must be able to
sight read plainchant neumes backwards and upside down on the
tromba marina while transposing accurately by within 2 cents and
simultaneously gargling the contra tenor from the Sanctus of
DuFay's "Missa L'homme Arme" in augmentation. So, in other words,
creativity is most unwelcome here.
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
--------------------------------------------
On Sun, 8/11/13, [email protected] <[email protected]>
wrote:
Subject: [LUTE] Re: general public Lute awareness
To: [email protected]
Date: Sunday, August 11, 2013, 11:58 AM
NYC Medieval
Festival at Fort Tryon was originally run by the history
department of Hunter College of CUNY, very
nicely too. Until SCA took
over...... RT
Are we trying creatively to increase
general audience for lute music
here,
or are we practicing exclusivity? I'm
looking at SCA and Ren Faires
solely
as a group of potential music buyers. Why
not encourage the interest
and
point it in the right direction?
Tom
On 8/11/2013 11:08 AM, Geoff Gaherty
wrote:
> On 11/08/13 9:41 AM, Ron Fletcher
wrote:
>> My main point is that true
historical re-enactment is
>> not fantasy, but a desire to
generate public awareness of our great
>> heritage.
>
> For a number of years, I was music
director for Poculi Ludiquae
> Societas, the medieval drama society
at the University of Toronto's
> Institute of Medieval Studies during
the 1980s:
>
> http://groups.chass.utoronto.ca/plspls/
>
> We were committed to meticulous
historical research as well as
> lively performances. My job was
to select music appropriate to the
> time and culture of the plays being
performed, and to provide
> suitable musicians to perform
it. We worked in very close
> association with the professional
early music performers in Toronto,
> to everyone's mutual benefit.
>
> We used to cringe whenever anyone
mentioned the Society for Creative
> Anachronism!
>
> Geoff
>
To get on or off this list see list
information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
--
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
