Truly intriguing.  Thanks, Stuart!

Eugene


-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of 
WALSH STUART
Sent: Thursday, September 26, 2013 2:52 PM
To: lutelist Net
Subject: [LUTE] Indian 'English' guitar music from Calcutta, 1789

I came across a curiosity on IMSLP - "The Oriental Miscellany; being a 
collection of the most favourite Airs of Hindoostan, compiled and adapted for 
the Harpsichord &c. By William Hamilton Bird." (Calcutta, 1789). The '&c' in 
the title is the guitar! There is a quite lengthy section of the Airs set for 
the guitar at the end.

I wondered if these 'Hindoostanni Airs' were simply dreamed up in Covent Garden 
by someone who had never set foot in India but a quick search online reveals 
that William Hamilton Bird did live and work in India (and publish this book) - 
and later died in Dublin. A feature on the harpsichord player, Jane Chapman, 
says that " the publication was the first collection of Indian music 
transcribed from live performance into Western notation and adapted for 
harpsichord."

In the Introduction to the Oriental Miscellany, Bird writes:"The greatest 
imperfection, however, in the music of every part of India, is the total want 
of accompanyments; a third, or fifth, are additions, the Compiler, during a 
residence of nineteen years in this country, and with the most favorable 
opportunities, has never heard..." and he says "he has taken great pains to 
bring them [the airs] into form as to TIME." 
But he does claim to "have adhered to the original compositions."

Sometimes he adds variations - to make the music less 'insipid'. Bird implies 
that all these pieces are songs. He does not mention instrumental music.

There is no mention in the Introduction of the guitar section at the end. The 
music in the section for the guitar is all in C (occasionally A
minor) and mostly single lines but with full C major chords every so often. 
This must surely be the wire-strung 'English' guitar (guittar). 
some of the guittar setting have a low G so a seven-course instrument is 
sometimes called for.

I've had a quick go at one of the Airs (It does seems a bit odd!), Dandera 
Vakee. In the guitar version it is marked, Con Spirito. The keyboard version is 
in A and Vivace. It's a 'Terana' (Bird describes the Terana as sung only by 
men). And I think he is saying that the piece comes from Serodes (?)


http://www.youtube.com/watch?v=s0UdyOgdjA0


Stuart



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