HAHA!!!!  Everybody at that time appreciated the blessings of nylon.
   Nowadays part of the lute fraternity seems hell bent on going back to
   gut.
   I'll stick with my nylon.  Life's too short.
   Bill
   From: Chris Barker <[email protected]>
   To: 'Bruno Correia' <[email protected]>; 'lutelist'
   <[email protected]>
   Sent: Sunday, 15 December 2013, 21:01
   Subject: [LUTE] Re: Bream Collection... I just noticed
   Emilio Pujol was a fine teacher and performer.  Francisco Tarrega was
   Pujol's teacher.  Pujol, though a master, never received the exposure
   Segovia had.  Tarrega taught Pujol to play with nailess right hand
   fingertips, and Pujol passed that technique on to others.  I presume
   that
   Segovia's use of nails, and increased volume of his instrument because
   of
   that, might have gotten him bigger audiences.
   Interestingly I have one of Pujol's instruction books.  It is an
   English
   translation.  How accurate I don't know.  One part that we don't think
   much
   of these days is a section on repairing broken strings.  After reading
   that
   I certainly was glad I grew up in the era of nylon strings.
   Chris Barker
   -----Original Message-----
   From: [1][email protected]
   [mailto:[2][email protected]] On Behalf
   Of Bruno Correia
   Sent: Sunday, December 15, 2013 2:23 PM
   To: lutelist
   Subject: [LUTE] Re: Bream Collection... I just noticed
     Really? What about the others? What about Tarrega's disciples
     (specially Pujol), Barrios, and all the other latin american
     guitarists? They wouldn't exist without Segovia? I don't think so.
     There are so many forgotten names...
     2013/12/15 Chris Barker <[1][3][email protected]>
       Sir,
       Respectfully I must remind you that Segovia's early 20th Century
       work made the classical guitar and related plucked instruments the
       popular things that they have become today.  We all owe him
       reverence for that.  Andres Segovia has been at rest for twenty six
       years.  Please help to make that rest peaceful.
       Chris Barker
     -----Original Message-----
     From: [2][4][email protected]
     [mailto:[3][5][email protected]] On Behalf Of Tobiah
     Sent: Sunday, December 15, 2013 11:27 AM
     To: 'lutelist'
     Subject: [LUTE] Re: Bream Collection... I just noticed
     On 12/14/2013 5:45 AM, Chris Barker wrote:
     > Re:  Gary's comments on Segovia...  If it were not for Segovia's
     > efforts, the guitar, lute, and kindred instruments would not occupy
     > the places they have today.  I was at a dinner put on by the old
     > Dallas Classical Guitar society almost a decade ago when the young
     > guitarist seated to my left referred to Andres Segovia "as just an
     > uninformed old man with poor performance practice who could be only
     be
     > heard on a bunch of scratchy LP"s.  I took my first guitar lessons
   in
     > 1958.  We all considered Andres Segovia a saint.  And now, much
   older
     > and wiser, are still of the same opinion, and we hold his critics
   in
     > great disdain.
     Are you referring to what his contributions to, and passion for the
     music did for its advancement?  I know little of that - only what I
   see
     on YouTube of his performances.  Allowing for possibly lesser
   recording
     engineering capability at the time, I find his tone anemic, his
   rhythm
     unmusically erratic, and his redeemable heart and passion as though
   it
     may be, fails to reach my heart through my admittedly unpolished ear.
     *Cringes and braces for the inevitable and surgically incisive
     dissection of his point of view*
     Tobiah
     To get on or off this list see list information at
     [4][6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     --
     Bruno Figueiredo
     Pesquisador autonomo da pratica e interpretac,ao
     historicamente informada no alaude e teorba.
     Doutor em Praticas Interpretativas pela
     Universidade Federal do Estado do Rio de Janeiro.
     --
   References
     1. mailto:[7][email protected]
     2. mailto:[8][email protected]
     3. mailto:[9][email protected]
     4. [10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:[email protected]
   2. mailto:[email protected]
   3. mailto:[email protected]
   4. mailto:[email protected]
   5. mailto:[email protected]
   6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   7. mailto:[email protected]
   8. mailto:[email protected]
   9. mailto:[email protected]
  10. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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