doubt it. i have four recordings of the Respighi, but didn't even know of the existence of 'Six Lute Pieces' till this thead, much less Segovia's recording. but then i have no CG background whatsoever...
======== τούτο ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ επέμφθη. Hæ litteræ electronicæ ab iPhono missæ sunt. 此電子郵件發送于自吾iPhone。 This e-mail was sent from my iPhone. On 16 Dec, 2013, at 10:38 PM, "Chris Barker" <csbarker...@att.net> wrote: > I think that possibly more people heard more of Segovia's recordings of Six > Lute Pieces of the Renaissance than heard Respighi's Ancient Dances and > Aires for Lute. > > Chris > > -----Original Message----- > From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf > Of r.turov...@gmail.com > Sent: Monday, December 16, 2013 6:22 AM > To: Mark Delpriora > Cc: lute@cs.dartmouth.edu > Subject: [LUTE] Re: Segovia and Pujol (was Bream Collection.) > > Your paragraph implies that Chilesotti was made famous by Segivia, and not > by Respighi. > RT > > sent from my payPhone > > On 12/16/2013 6:24 AM, Mark Delpriora wrote: >> No , but Paul Odette was. >> >> Sent from my iPhone >> >> On Dec 16, 2013, at 5:01 AM, r.turov...@gmail.com wrote: >> >>> So, Respighi was exposed to Chilesotti through Segovia's efforts? >>> >>> Sent from my iPhone >>> >>> On Dec 15, 2013, at 9:20 PM, terli...@aol.com wrote: >>> >>>> As far as his influence on the lute: I heard Paul O'dette say that it > was the "Six Lute Pieces from the Renaissance" based on Chilesotti (and made > famous by Segovia) that inspired O'dette to seek out a lute. He was studying > them on the guitar and he took the title of the piece seriously enough to > find a lute. > > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > >
