Before we fly away from Eloy’s thread I’ll add a related text.

I found this text very striking when I heard it on the recording “The Leaves be 
Greene”. It was read by Peter Bale and preceded the final music on the LP — “A 
Dump” by John Johnson. (The Leaves be Greene, The Consort of Musicke - Anthony 
Rooley, dir., L’Oiseau-Lyre SOL 328)

This is the way I had transcribed it from the recording:



The little chirping birds —
the wren and the robin —
they sing a mean.

The goldfinch, the nightingale —
they join in the treble.

The blackbird, the thrush —
they bear the tenor,
while the four-footed beasts —
with their bleating and bellowing —
they sing a bass.

Only man, as being a wild and a fierce creature, 
hath no certain note or tune.
His instruments are the guts of dead creatures — 
a token of his cruelty, 
and a remainder of his riot.


— Godfrey Goodman (c. 1600?)



With the internet one can now search for the source and for an accurate reading 
of the original.

The hard part is now deciding which variation is accurate!

I do think little chirping birds seem more likely be the treble (and working 
the list down to lower animals), but the score is 2-2 in the examples below 
that I found. Perhaps I transcribed it incorrectly, or an inaccurate source was 
used for the recording. Perhaps Goodman used it in two different books.

— Rocky



_____

“… in their Church-musick, here you haue a full, perfect, and complete Quier; 
sufficient variety of voices: the little chirping birds, the Wren, and the 
Robin, they sing a treble; the Gold-finch, the Nightingall, they ioyne in the 
meane; the blacke bird, the Thrush, they beare the tenour, while the 
foure-footed beasts, with their bleating and bellowing, they sing a base…”

— Bishop Godfrey Goodman, The Creatures Praysing God: or, The Religion of Dumbe 
Creatures (London, 1622), p.24
as quoted by Philip C. Almond, “Adam and Eve in Seventeenth-Century Thought 
“(Cambridge: Cambridge University Press, p.113


_____


“The little chirping birds (the Wren, and the Robin) they sing a mean; the 
Goldfinch, the Nightingall, they ioyne in the treble; the Blacke bird, the 
Thrush, they bears the tenor; while the four footed beasts with their bleating 
and bellowing they sing a base.”

[Man being] “a wild and a fierce creature, hath no certain note or tune…his 
instruments are the guts of dead creatures, a token of his cruel tie, and a 
remainder of his riot.”

— Godfrey Goodman, [no specific footnote is indicated for the passages, but the 
text implied this source in my reading: “The Fall of Man, or The Corrvption of 
Nature, Proved by the light of our natural Reason” (London: Felix Kyngston, 
1616) ?]
—as quoted by Erica Fudge, Brutal Reasoning: Animals, Rationality, and Humanity 
in Early Modern England (Cornell University Press), p. 100

_____


“To instance only in their Quier, or in their Church-musick, here you have a 
full, perfect, and compleate Quier; sufficient variety of voices; the little 
chirping birds, the Wren and the Robin, they sing a treble; the Gold-finch, the 
Nightingale, they joyne in the meane; the Black-bird, the Thrush, they beare 
the tenour, while the four footed beasts, with their bleating and bellowing, 
they sing a base.”

— Godfrey Goodman, “The Creatures praysing God”, p.24.
by P Webster - 2001 
http://sas-space.sas.ac.uk/3208/8/Webster_2001_-_Ch_6_-pp72-100.pdf


_____

Singing Birds. 
" — Hkarkk, hearke, the excellent notes of 
singing birds ! what variety of voices ! how 
are they fitted to every passion ! The little 
chirping birds (the wren and the robin) they 
sing a mean ; the goldfinch, the nightingale, 
they join in the treble; the blackbird, the 
thrush, they bear the tenour : while the four- 
footed beasts, with their bleating and bellowing, 
thev sing a base. How other birds sing in 
their order, I refer you to the skilful musicians 
some of them keep their due times ; others have 
their continued notes, that all might please with 
variety; while the woods, the groves, and the 
rocks, with the hollowness of their sound like a 
musical instrument, send forth an echo, and 
seem to unite their song.'" — Goodman's Fall 
of Man, p. 78. 

— SOUTHEY’S COMMON-PLACE BOOK BY HIS SON-IN-LAW, JOHN WOOD WARTER, B.D (NEW 
YORK: HARPER & BROTHERS, PUBLISHERS, 8'2 CLIFF STREET, 1849).
http://archive.org/stream/commonplacebook00sout/commonplacebook00sout_djvu.txt
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